A gripping saga that reimagines a storied villain as a complex, sympathetic anti-hero.

EADRIC THE GRASPER

SONS OF MERCIA VOL. 1

In this historical epic based on a real-life medieval rogue, a cunning young man rises through treachery—or is it statesmanship?—in an England beset by Viking invasions.

Teenage swineherd Eadric has no aim in life other than wooing scullery maids, but he has a quick wit that somehow lands him an audience with King Ethelred the Unready, and a silver tongue that thoughtlessly precipitates a massacre of troublesome Danish Viking immigrants. Eadric feels guilty, but in the year 1002 an overactive conscience doesn’t help you get ahead. Eadric does other small favors for Ethelred, such as assassinating an inconvenient nobleman who could be his uncle, and wins the sobriquet “Grasper” by using forged charters to steal land from monasteries. Soon he’s lord of all Mercia and married to the king’s ravishing daughter Aydith. Their love is strained by fresh Danish raiders, who make an almost yearly habit of slaughtering and pillaging their way through the English countryside. The ever pragmatic Eadric, who counts blood-soaked über-Viking Thorkel the Tall among his friends, favors buying off the Norsemen with Danegeld tribute—or even surrendering to the rampaging Danish prince Canute, whose ruthlessness Eadric hopes will bring stability and peace. Aydith, a spitfire patriot with a head for military strategy, seethes at her pusillanimous husband, who thinks she might be in league—or in love—with the masked English hero known as the Golden Cross. In the debut of her Sons of Mercia series, Woods tells a ripped-from-the-chronicles story—most of the characters and major events are factual—with an entertaining blend of period realism and Zorro-ish dazzle. She brings to life the violence and skullduggery of the age in exciting scenes of action and intrigue, while vividly rendering the mindsets and motives of this distant era. Her Eadric is a fascinating figure, an amoral yet sensitive man in a chaotic world, trying desperately, and not always successfully, to tame hot passions with cold calculation.

A gripping saga that reimagines a storied villain as a complex, sympathetic anti-hero.

Pub Date: Oct. 5, 2010

ISBN: 9781452862866

Page Count: 408

Publisher: CreateSpace

Review Posted Online: July 29, 2010

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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A GENTLEMAN IN MOSCOW

Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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