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A NIGHT ON KINGWOOD

A playful, Christian romp through an imaginative world.

Derowitsch’s (A New Global Ideal, 2016) allegorical novel follows a young man at a crossroads.

Kyle Redding—who is best described as ordinary—is a 17-year-old living in Salem, Oregon. The narrator explains the lack of much of a description for Kyle: “How do you really describe someone who is just about average in every way?” He befriends the new girl at school and thinks she has girlfriend potential. After Marah Deni rebuffs him, Kyle tries to kill himself. He doesn’t succeed, and a voice guides him to a street called Kingwood, where he embarks on a surreal adventure and meets many strange characters. The most sinister is a jewel-covered snake, aka Leviathan, though some call him the “Soul-Devourer.” Lucky for Kyle, there are plenty of people looking out for his best interest, including Clive, who’s hammering away at a typewriter. One need not know much about theology to figure out that a story that includes a combination of a cunning snake and a writer named Clive is likely to have something to do with Christianity. And so the reader is guided through a tale dotted with occasionally playful creatures (e.g., cartwheeling squirrels) and focused on the importance of understanding one’s true spiritual needs. Events move quickly, propelling Kyle to a new understanding. Watching Kyle’s growth gives the book its best moments. He is even shown the spiritual states of people he thinks he knows pretty well. Although these sights aren’t as punishing as Dante, they provide a lasting reminder that all that glitters isn’t gold, a reminder that works well in a story that, though threaded with silliness, is in the end very serious business. All told, such a combination makes the book’s message obvious but also digestible and even a little bit fun.

A playful, Christian romp through an imaginative world.

Pub Date: Feb. 17, 2017

ISBN: 978-1-5127-7165-7

Page Count: 158

Publisher: Westbow Press

Review Posted Online: July 5, 2017

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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