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JOYSTICK NATION

Name: JOYSTICK NATION
Author: J.C. Herz
ISBN: 0-316-36007-4

HOW VIDEOGAMES ATE OUR QUARTERS, WON OUR HEARTS, AND REWIRED OUR MINDS

by J.C. Herz ‧ RELEASE DATE: June 11, 1997

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Here is a look at an essential part of American youth that goes beyond a mere chronicle to engage all of the political, social, and cultural implications of video games. Herz (Surfing the Internet, 1995) eschews a historical point of view for a free-associating meditation on the video game culture that, by her calculations, has engulfed one-fifth of our population. Of course, not being able to dispense with the historical aspects of her subject entirely, Herz offers up ``A Natural History of Videogames'' timeline: The first video game was actually created in 1962 by some MIT graduate students; thus, Herz notes, ``If the history of videogames were a twenty-four-hour day, Pong would arise at 6:37 a.m.'' And in tracing the trajectory from Pong to Doom, she evokes such ``classics'' as Q*Bert, Space Invaders, and Pole Position. Equally clever is her sardonic suggestion to right-wing critics of video game violence that they turn it to their advantage with an ``Operation Rescue level of Doom, where you gun down abortion doctors'' or even a video game version of an all-out military operation. ``But, then,'' she remarks, ``been there, played that. Gulf War.'' (Anyway, she observes that in most video games, the violence is perpetrated by teenage boys and girls playing, not criminals, but law-enforcement officers.) Herz adroitly examines the gender gap in video game development, citing political feminists' scholarly critiques of Ms. Pac Man and Frogger, and her research shines in her strong study of characterization in video games, as she traces the connections between Japanese comic-book anime and the popularity of a certain Italian-American plumber named Mario. This otherwise smart and entertaining read ends a bit too abruptly during a discussion of how computer simulation approximates reality. Nevertheless, Joystick Nation will please its citizenry.

Pub Date: June 11, 1997

ISBN: 0-316-36007-4

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
LEARNING TO BREATHE FIRE
by J.C. Herz

- BOOK REVIEW
A DARK AND DISMAL FLOWER
by J.C. Herz & Eve Scott & illustrated by Shamona Stokes & developed by Coliloquy

- BOOK REVIEW
SURFING ON THE INTERNET
by J.C. Herz

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.