by Jean Guerrero ‧ RELEASE DATE: July 17, 2018
With a little suspension of disbelief on his or her own part, even the hardest-nosed reader will find Guerrero’s decidedly...
A Southern California PBS journalist explores her relationship with her disturbed, likely schizophrenic father.
Things went south in her father’s life, Guerrero writes in this debut memoir, when a half sister edged him out of a managerial job in the family meat business. But his newfound addiction to hiding with an early-generation computer wasn’t the first odd thing he’d done; as Guerrero relates, he’d also tapped her mother’s phone in an act of jealousy—but also a fairly sophisticated bit of technological hacking. A mad genius and wild thinker, he got steadily worse: “The rare times Papi emerged from his bedroom, he sat on our living room leather couch, burping, staring at the turned-off television.” Then came the self-medication and the disappearances south of the border in episodes that, as Guerrero recounts them, had an alarming oddness—e.g., he wrapped his headrest in aluminum foil to keep from being zapped by unusual rays, then ran into an army checkpoint that, thankfully, failed to remark on the drugs and open bottles scattered throughout the cab. Investigating her father’s madness and charting his travels, Guerrero became a little unsettled herself: “Life is an accident,” she writes. “Any encounter with meaning is a delusion.” Her path also included some of that self-medication and plenty of that decenteredness. Guerrero relates all of this effectively, though there’s a grim repetitiveness to some of the madness. Readers may take issue with some of her suspensions of disbelief. In the end, she seems to think that it’s entirely possible her father had shamanic powers and that a line of sorcery extended throughout her family in Mexico, which lands us in Carlos Castañeda territory as mediated by a few hits of ecstasy.
With a little suspension of disbelief on his or her own part, even the hardest-nosed reader will find Guerrero’s decidedly centrifugal memoir fascinating.Pub Date: July 17, 2018
ISBN: 978-0-399-59239-3
Page Count: 352
Publisher: One World/Random House
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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