A readable study in the banality of evil, even if it comes clothed in bespoke suits.
An unsparing portrait of the young architect of Trumpian nationalism.
“Stephen’s rhetoric has completely infected the tone and mantra of this administration,” says a former high school classmate of Donald Trump’s chief henchman. “It’s his.” That rhetoric, writes California-based journalist Guerrero, centers on multiculturalism, which Stephen Miller, descended from Jewish immigrants from pre-Holocaust Eastern Europe, rejects in favor of white nationalism. The author charts the ambitious Miller’s rise, claiming that, at one point, he aspired to be a U.S. senator. Fresh out of college, he started working as an assistant to tea party darling Michelle Bachmann, moved on to work with a right-wing Arizona congressman, and then snagged a job with Alabama senator and erstwhile Trump attorney general Jeff Sessions, “an elfin nativist with white hair.” He eventually jumped into the White House, promoted by Steve Bannon, having been nurtured by right-wing entrepreneur David Horowitz, and forged connections with a broad range of nationalist allies, including white supremacists and neo-Nazis. By Guerrero’s account, Miller is the principal author of the administration’s immigration policy, with its tent-city prisons and separation of infants from parents. The “demonization of migrants” as criminals and people who, as Trump once said, “would never go back to their huts,” is an essential tool to keep a nationalist base galvanized and ready to fight. Trump didn’t need Miller to teach him the art of hatemongering, Guerrero writes, but all the same, Miller’s “fanatical ideology, work ethic and strategic thinking” have furthered the aims of a president bent on destroying existing norms. Guerrero sometimes shades off into idle speculation, as when she connects Miller’s California origins to Hollywood make-believe, but her account of his unsentimental education by way of racist texts, a carefully cultivated hatred for the nonwhite world, and a core group of mentors is carefully documented and persuasive.
A readable study in the banality of evil, even if it comes clothed in bespoke suits.Pub Date: May 19, 2020
ISBN: 978-0-06-298671-9
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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