A smart, leisurely study of midlife angst.
Jason Bourne meets Martha Stewart in another of Korelitz’s woman-of-a-certain-age-in-crisis dramas. The author's 2009 novel, Admission, is now a film starring Tina Fey.
Well, not quite Jason Bourne. But Grace Reinhart Sachs is almost as resourceful. She lives the perfect life—or so she thinks—with a rich, famous doctor for a husband and a satisfying if hurried professional life as a therapist, pop psychologist and now author of a book called, yes, You Should Have Known, a book that’s “apparently about to snag the Zeitgeist.” With said snagging comes her ascent to public personhood, or, as Grace puts it in psychologese, “[t]hus completing my public infantilization.” Her book urges women to take charge and exercise due diligence with regard to potential life mates, though in her own case, she had “absolutely just known, the first time she had lain eyes on Jonathan Sachs, that she would marry and love him for the rest of her life.” Mistake. Karma being what it is, it only stands to reason that the perfection of her life—the great kid, happy marriage, stunningly appointed city apartment and country home—will fall apart at the mere hint of scandal. And so it does, so that when Grace discovers that he’s not everything that he’s cracked up to be—emphasis on cracked up—she swings into action to uncover every dirty bit of laundry that’s hidden in that oak-paneled walk-in closet. Korelitz writes with clarity and an unusual sense of completeness; she doesn’t overdescribe, but neither does she let much of anything go by without observing it, which slows an already deliberately paced narrative. She is also an ascended master of the psychologically fraught situation, of which Grace experiences many as she stumbles on but then rises above the wreckage of her life.
A smart, leisurely study of midlife angst.Pub Date: March 18, 2014
ISBN: 978-1-4555-9949-3
Page Count: 686
Publisher: Grand Central Publishing
Review Posted Online: April 13, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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