A suitably beguiling and unsettling first book in a series that promises deeper, darker escapism.

FALLEN PRINCEBORN

STOLEN

A troubled teenager enters the fairy world to save her sister in this fantasy romance by Lee (Tales of the River Vine, 2018, etc.).

Eighteen-year-old Charlotte and her 14-year-old sister, Anna, are on the run from an abusive family situation, but soon after their bus crosses the Wisconsin border, it breaks down. An insistent “Voice” in Charlotte’s heart tells her not to get on the replacement bus, but she and her sister do, and a second breakdown leaves them stranded at a farm motel near the stone-wall border of a fairy realm. Anna is soon spirited away, but Charlotte, who can see what others can’t—the decay hidden beneath the illusion of normalcy—vows to breach the wall and do whatever she needs to do in order to save her sister. It turns out that Anna isn’t the only one in danger; by crossing the boundary and going up against the powerful woman known as “the Lady,” Charlotte brings another being, “the Bloody Prince,” back to life and reignites a civil war in the fairy realm. Charlotte has no one she can trust, as nothing is as it seems, and worst of all, she might just be falling in love with the aforementioned prince. Lee writes from a third-person, present-tense point of view, but the tale is still told very much from Charlotte’s perspective, spurning exposition in favor of snippets of teenage angst. Charlotte emerges as a believable survivor—strong, determined, and devoted to her sister but also vulnerable, with a deeply buried sense of hope. The only off note is her heightened, Buffy-like sassiness, which seems less natural than genre-driven, but it’s still handled well. Anna is similarly convincing as the resentful younger sister; the fairy folk walk the line between being straightforward villains and antiheroes. The fairy realm itself is more grim than enchanting (think the Upside Down from the Netflix TV series Stranger Things), and the fact that Charlotte is trapped there—an echo of her family situation—lends an uneasy edge to the would-be romance.

A suitably beguiling and unsettling first book in a series that promises deeper, darker escapism.

Pub Date: N/A

ISBN: 978-1-949428-00-1

Page Count: 492

Publisher: Aionios Books, LLC

Review Posted Online: Oct. 16, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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