by Jean M. Auel ‧ RELEASE DATE: Dec. 6, 1985
Book Three in the adventures of Ayla-of-the-Ice Age, the Cro-Magnon Phi Beta who is raised (and cast out by) Neanderthal "flatheads." Having left The Clan of the Cave Bear (1980), and after a sojourn in The Valley of Horses (1982)—where she met Jondalar (he of the golden hair), and domesticated horses and a lion—Ayla is about to meet Jondalar's distant kin, the Lion Camp of the Mamutoi—mammoth hunters in what is now part of the Ukraine. Ayla's cerebrations and trial-and-error experiments encapsulate most of the bright ideas which once, apparently, popped from the Cro-Magnon brainpan. Into the Lion Camp she'll bring, of course, some finished products: tame horses that astound the horse-eating hunters (Baby the Lion, who finished off Jondalar's brother, makes one cameo appearance later); herbal knowledge (she'll use digitalis foxglove on a weak-hearted youngster); spark-making with flint and iron pyrite; and the "spear thrower." In the Lion Camp she'll not only use a variant of the Heimlich maneuver and a mouth-to-mouth technique on a choking child, and invent the needle for sewing leather, but teach tolerance of physical differences (flatheads are human too!). Two difficult problems confront Ayla. Overcoming her fear of "Others"—anathema to the flathead Clan—she finds a home with people who are physically and mentally similar to herself. But should she join them forever? And then there's Jondalar, who taught her that sex is a real Pleasure. Does he not want her anymore? Jondalar, jealous when Ayla, following the old subservient-woman habit of the Clan, obligingly sleeps with charming Ranec, misunderstands. But at the close, after the great Summer Meeting of Mamutoi, the two will be off to Jondalar's native people, the Zelandonii—a prelude to Book Four. There's the usual irresistibly dingbat dialogue (one mammoth bone-tapping musician to another: "The piece needs balance as well as harmony . . .I think we could introduce a wind reed. . . "). Once again, Auel's second-source anthropological research is drummed home willy-nilly, in a jolly Wonder Woman tale thundering with the hoofbeats of shaggy animals, cave confabs, whistling spears, and whoopie sex. A biggie.
Pub Date: Dec. 6, 1985
ISBN: 0553381644
Page Count: -
Publisher: Crown
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Nov. 15, 1985
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More by Jean M. Auel
BOOK REVIEW
by Jean M. Auel
BOOK REVIEW
by Jean M. Auel
BOOK REVIEW
by Jean M. Auel
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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