A masterful wide-angle portrait of an Iowa family over three decades.
In Thompson's unforgettable, offbeat novel, an extended Iowa family struggles for emotional and economic stability over three decades, beginning with a modest Lutheran wedding in 1983 and ending with a bittersweet homecoming.
An Illinois writer who has drawn acclaim for story collections including Do Not Deny Me (2009) and Who Do You Love (1999) and novels including City Boy (2004) and Wide Blue Yonder (2003), Thompson has crafted a dazzling book that works both as an epic page-turner and a series of tightly focused, chronologically arranged stories. Long before the recent recession, the Ericksons, a family of Norwegian descent based in the town of Grenada, are up against it—both as part of a farm community and through ties to the banking community that's under violent threat from foreclosed farmers. As the Ericksons' story unfolds, marital problems, alcoholism, posttraumatic stress syndrome and a horrific car accident leave their mark. Among the siblings, Ryan, whose ponytailed academic hopes were derailed by an incident with a political-science student in Chicago, has succeeded in computer programming only to find himself on a career bubble. A second chance with an old girlfriend proves more ill-advised than the first. Torrie, the bright upstart in the family, suffers a devastating brain injury in the car accident. Cousin Chip is a maladjusted Vietnam veteran just waiting to go off. For all the setbacks the family suffers, their strong ties to each other and their geographical roots ultimately lift them above circumstance. And there are enough unexpected turns, foremost Torrie's awakening as a visionary photographer, to complicate any lessons about fate. Thompson's ability to put these characters empathically on the page, in their special setting, over an extended period of years, with just the right dose of dark humor, rivals Richard Russo's. Touted as her commercial breakthrough, the novel is a powerful reflection on middle American life—on the changes wrought by the passing years and the values that endure.
A masterful wide-angle portrait of an Iowa family over three decades.Pub Date: May 1, 2011
ISBN: 978-1-4391-7588-0
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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