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THE UNMARKED GIRL

From the YaraStar Trilogy series , Vol. 1

An engrossing SF/fantasy that breathes new life into old tropes.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2019

A debut YA novel sees a teen girl fight for acceptance in a world of ingrained prejudice.

The planet Mira is home to two races—the sun-dwelling Photaks and the light-averse Skotads. Sixteen-year-old Yara is a Photak, but unlike the rest of her tribe, she has no birth markings. She was found as a baby in the Greens, a shadowy realm where no Photak can remain long without falling to Light Blindness. Yara can live in the light so she cannot be a Skotad. Yet she can never be a true Photak either. Taken reluctantly into the tribe, she has remained an outsider to be shunned, feared, and despised. Her adoptive parents love her, as do the younger children, but apart from them, only Kristos, the Chief’s son, truly accepts her. Yara is training to be a warrior with Kristos. Driven by the need to prove herself, she has become second to none in both the Photak fighting techniques and her own secretly developed style that is “notoriously difficult to predict” (“The offbeat moves came with their own rhythm, and from an outsider’s perspective, it looked like a dangerous, deadly dance”). On the Day of the Calling, Yara is chosen from all of the graduating trainees to defend the tribe in a ritual combat known as the inner fight. It’s her proudest moment, yet even in victory she faces disaster. For, unbeknown to Yara, her secret style mirrors that of the Skotads. Suddenly all of the tribe’s doubts come flooding back. With even Kristos now having second thoughts about her, Yara flees into the Greens—and meets a Skotad hunter who makes her question everything she’s been taught to believe. Frontin writes in the third person, mostly from Yara’s point of view, and quickly constructs an effortless blend of SF scenario, social allegory, and YA coming-of-age adventure. The prose is simple but effective, and the dialogue functional (although some of the monologues are a bit strained). But it is through characterization that the story soars. The plot spirals upward through broadly predictable yet still personal and distinctive patterns on the back of its character moments. As the first installment of a trilogy, the book lacks closure. Nevertheless, Frontin establishes Yara as a protagonist to follow and herself as an author to watch.

An engrossing SF/fantasy that breathes new life into old tropes.

Pub Date: June 29, 2018

ISBN: 978-976-8255-76-1

Page Count: 320

Publisher: Mark Made Group

Review Posted Online: Sept. 19, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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