An engrossing SF/fantasy that breathes new life into old tropes.
A debut YA novel sees a teen girl fight for acceptance in a world of ingrained prejudice.
The planet Mira is home to two races—the sun-dwelling Photaks and the light-averse Skotads. Sixteen-year-old Yara is a Photak, but unlike the rest of her tribe, she has no birth markings. She was found as a baby in the Greens, a shadowy realm where no Photak can remain long without falling to Light Blindness. Yara can live in the light so she cannot be a Skotad. Yet she can never be a true Photak either. Taken reluctantly into the tribe, she has remained an outsider to be shunned, feared, and despised. Her adoptive parents love her, as do the younger children, but apart from them, only Kristos, the Chief’s son, truly accepts her. Yara is training to be a warrior with Kristos. Driven by the need to prove herself, she has become second to none in both the Photak fighting techniques and her own secretly developed style that is “notoriously difficult to predict” (“The offbeat moves came with their own rhythm, and from an outsider’s perspective, it looked like a dangerous, deadly dance”). On the Day of the Calling, Yara is chosen from all of the graduating trainees to defend the tribe in a ritual combat known as the inner fight. It’s her proudest moment, yet even in victory she faces disaster. For, unbeknown to Yara, her secret style mirrors that of the Skotads. Suddenly all of the tribe’s doubts come flooding back. With even Kristos now having second thoughts about her, Yara flees into the Greens—and meets a Skotad hunter who makes her question everything she’s been taught to believe. Frontin writes in the third person, mostly from Yara’s point of view, and quickly constructs an effortless blend of SF scenario, social allegory, and YA coming-of-age adventure. The prose is simple but effective, and the dialogue functional (although some of the monologues are a bit strained). But it is through characterization that the story soars. The plot spirals upward through broadly predictable yet still personal and distinctive patterns on the back of its character moments. As the first installment of a trilogy, the book lacks closure. Nevertheless, Frontin establishes Yara as a protagonist to follow and herself as an author to watch.
An engrossing SF/fantasy that breathes new life into old tropes.Pub Date: June 29, 2018
ISBN: 978-976-8255-76-1
Page Count: 320
Publisher: Mark Made Group
Review Posted Online: Sept. 19, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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