This insightful study of relationships is a party that’s not to be missed.
A weekend getaway takes an intense turn in Farewell’s (Hilda’s General Store, 2015, etc.) latest novel.
Bess and Mitt Blasdale own the Evergreen Inn, a haven for rest and relaxation in the picturesque Vermont countryside. A snowstorm foils their plans for a large house party, though a few hardy souls manage to make the trip. Bess’ old and dear friend, Sadie, drives down from Maine despite the blizzard, and Olivia Rathbone and her husband, Simon, are delivered by Gregg Galleon, a good Samaritan who rescues them after their car overturns on the road. The small group is snowed in at the Evergreen without phones or access to the outside world. Despite the weather, it should be an enjoyable weekend spent in the company of good food and friends. Unfortunately, it turns out that Gregg is Sadie’s ex-husband, a recovering alcoholic whose tryst with her sister ended their marriage. In addition, Bess reveals that she’s planning to leave Mitt and sell the inn, while Olivia and Simon constantly snipe at each other and quarrel over his post-retirement lifestyle. Tensions are high as the six snowbound inhabitants navigate around awkward silences, marital disappointments, and long-buried feelings of anger, sorrow, frustration, and loss. Sadie is adamant that she can’t forgive Gregg, but a dark turn of events causes her to rethink her position. Farewell’s novel feels much like a play as she skillfully sets the stage and populates her narrative with witty and complicated characters. The cozy Evergreen Inn is the perfect backdrop for scenes full of nuanced character development and well-scripted dialogue. Olivia, for example, is a Pandora’s box of judgment, ego, and hypocrisy who incessantly pecks at her retiree spouse. Yet Farewell manages to balance Olivia’s flaws with characteristics that render her admirable and even likable at times. Throughout the novel, the author provides ample opportunities for the characters to hash out their problems and air their grievances, peeling away the complicated layers of emotions like a chef with a sharp paring knife.
This insightful study of relationships is a party that’s not to be missed.Pub Date: N/A
ISBN: 978-1-68419-588-6
Page Count: 212
Publisher: Puddingdale Press
Review Posted Online: March 15, 2017
Kirkus Reviews Issue: April 15, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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