by Jeanne Mackin ‧ RELEASE DATE: April 1, 1996
The author of The Frenchwoman (1989) and The Queen's War (1991) again imaginatively (but responsibly, judiciously) samples French history and here constructs a witty, lightly satirical, entertaining amalgam of murder, greed, and revenge, all peculiarly attached to a kind of treasure hunt for an ancient Egyptian stela— a slab of stone picturing the goddess Hathor (appropriately, the goddess of love and laughter). The story takes place in 1798 Cairo, during Napoleon Bonaparte's occupation of Egypt, with millennia-spanning stela- sightings in the fourth century b.c. and the fourth century a.d. At the start, Napoleon, glory-bound, is headed for Egypt, bringing along with his army a team of scholars to record the (generally unknown) history of Egypt and to find and claim its artifacts. Chief among the prizes is a stela thought to have once been owned by Alexander the Great. The panel, intended for a royal tomb, has a unique history: In 3737 b.c., a dying pharaoh had been robbed of immortality as the slab of stone destined to bear his name beside the image of the goddess Hathor (who would rescue him from death) was hidden by his nasty son-in-law. The pharaoh's daughter took revenge by means of a drink spiked with ground glass—a libation identical to one used in Napoleon's coffee during a dinner in Cairo. Luckily, the General refuses the drink, but a sheik's nephew dies. A young French couple, the Verdiers, banished to a temporary prison as suspects, ponder in Nick-and-Nora fashion: Who would try to knock off Napoleon? Meanwhile, there's a stela-hunt afoot. Among the hunters: a stone-eyed collector, Napoleon's doctor; the fiery Turkish widow of the sheik's nephew; a Turkish sheik hoping to bribe the fatuous collector Lord Elgin; Lord Elgin himself; and the Verdiers, hoping to return to Napoleon's good graces. There'll be night journeys, betrayals large and small, spying and mayhem. All this during the Nile's flooding, a ``season of charms and spells.'' A richly intelligent and charming spellbinder.
Pub Date: April 1, 1996
ISBN: 1-57566-020-2
Page Count: 256
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1996
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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