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EAT CAKE

And that’s all, folks. A pleasant trifle but nothing more: the third from the author of Step-Ball-Change (2002) and Julie...

Imagine you’re inside a cake. . . .

That’s what beleaguered housewife Ruth Nash does whenever life gets to be too much for her. She can even catch a glimpse of the outside world from the open center of her favorite hideaway: a moist, rich Bundt cake. And these days, she’s quite the baker (recipes included) now that her son Wyatt has left her with every pair of sneakers he ever owned and is off to college. His younger sister Camille, meanwhile, sighs a lot and makes snotty remarks. A crisis looms: their dad, Sam, just lost his job as a hospital administrator and has few prospects of getting another, though he’s not going to let that get him down. He’s a family man who puts up with a mother-in-law in permanent residence and goes so far as to drive to Iowa to pick up Ruth’s ne’er-do-well father, an itinerant pianist who just smashed both wrists. Ruth’s parents divorced many years before and still can’t stop bickering: her mother, Hollis, is outraged that Ruth actually cuts her father’s revolting yellow toenails when Guy can’t do it himself and that Sam must help the old man pee (a task Hollis takes on, explaining grimly that she has seen that particular organ before). Now that he’s unemployed, will Sam realize his cherished dream of becoming a boat-builder? Guy points out that it may be Sam’s turn at last, and Ruth gets a brilliant idea: make money by selling her wonderful cakes. And so she does, with a little help from Camille, who has a flair for marketing, and a friend of Sam’s who designs gorgeous gift boxes.

And that’s all, folks. A pleasant trifle but nothing more: the third from the author of Step-Ball-Change (2002) and Julie and Romeo (2000).

Pub Date: May 27, 2003

ISBN: 0-609-61004-X

Page Count: 272

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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