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CALLGIRL

While this reads like a memoir, a faint suspicion lingers that it could be fiction, like the author’s previous work (The...

Engrossing, no-holds-barred story of a college lecturer by day and a callgirl by night.

When a live-in boyfriend (known here only as Peter the Rat Bastard) moved out in the mid-1990s and took the contents of their joint checking account with him, the author was strapped for cash. To supplement her small income as an adjunct sociology lecturer at a Boston-area college, she contacted the owner of an escort service whose ad had caught her attention. As a callgirl—in her view, “a skilled professional possessing an area of knowledge for which there is a demand”—she could net $140 an hour plus tips and keep her respectable day job. Angell signed on and found that her clients were ordinary guys, much like the men she had dated. Her blow-by-blow accounts of her encounters range from sexless eating bouts with a restaurant owner to an evening with a man who just wanted to wear her undergarments to “doubles” sessions with a client and a second callgirl. It’s not all action, however; the author gives ample space to her thoughts about sex and prostitution. Besides the close-ups of the clients and their quirks, she paints deft profiles of the escort-service owner, known here as Peach, and of a cocaine-addicted co-worker. Angell brought the two sides of her life together in a course on the history and sociology of prostitution that led to some academic recognition and a heavier teaching load. Eventually, aware that her classroom work was deteriorating and that she wasn’t getting any younger (she was in her mid-30s), she decided to quit her night job, pushed over the edge by a frightening brush with the law.

While this reads like a memoir, a faint suspicion lingers that it could be fiction, like the author’s previous work (The Illusionist, 2000, etc.). Either way, it provides a revelatory view of a life few women know much about.

Pub Date: Aug. 1, 2004

ISBN: 1-57962-110-4

Page Count: 232

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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