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HIKIKOMORI AND THE RENTAL SISTER

Occasional moments of fine writing cannot salvage this unpromising debut.

A debut novel of grief and its porn-fantasy resolution.

The hikikomori of the title is Thomas Tessler. He has lived locked in a room in his Manhattan apartment for three years, while his wife, Silke, goes on with her life next door in their former bedroom. Thomas leaves the apartment on rare occasions, at night, to stock up on supplies—TV dinners, canned food, coffee—while Silke sleeps. At her wit’s end, Silke finds a young Japanese woman, Megumi, the rental sister of the title, to lure Thomas out of his room. Thomas has locked himself in because he cannot get over the death of his son, for which he feels overwhelming guilt. What the patient and loving Silke cannot accomplish, Megumi pulls off in a matter of weeks. Megumi’s brother was also hikikomori in Japan, where apparently the phenomenon is more common, the hikikomori having a cultural identity or dignity unavailable in the States—and this qualifies her to visit the American stranger. As we learn more about Megumi—she sold her panties for shopping money and then her body to spirit her brother out of the country—one of the most egregious stereotypes emerges from this chrysalis: the hooker with a heart of gold. Of course Megumi falls for Thomas. He is the strong, silent type after all. Thomas’ lair turns out to be the perfect place to carry on an affair, and Silke seems to accept, if not welcome it—she contracted for it. A handful of taut moments explore the dramatic potential of this ménage à trois. A conflagration heralds a conclusion consistent with conventional expectations.

Occasional moments of fine writing cannot salvage this unpromising debut.

Pub Date: Jan. 8, 2013

ISBN: 978-1-61620-137-1

Page Count: 256

Publisher: Algonquin

Review Posted Online: Sept. 26, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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