ABC-TV commentator Greenfield offers an antic first novel with a deadly serious point about the absurd perils posed by the electoral college. Two days after narrowly defeating his Democratic rival, the Republican president-elect of the US dies in the wake of a botched photo op. Almost everyone in the country, including Al DeRossa (a network TV analyst who more or less anchors the set-piece narrative), assumes the departed's running mate will be sworn in as chief executive come January. This prospect appalls professional pols and the public alike since the GOP's nominee for vice president is a blue-blooded boob by the name of Theodore Pinckney Block. As it happens, Teddy Blockhead (as he's widely known) is not a shoo-in because, while nominally pledged to vote for their parties' candidates, the nation's 535 electors are not actually bound to do so. One of the first to appreciate the implications of free agency is Dorothy Ledger, an elector from Michigan who confounds the Republican National Committee and the country when she raises points of order at an open meeting convened to fill the vacancy on the party's ticket with Block. Her stand at what was supposed to be a pro forma exercise unleashes a full-blown constitutional crisis and much behind-the-scenes deal-making. Contributing to the chaos are players like W. Dixon Mason (a charismatic black populist who trades on racial strife), lobbyist Jack Petitcon (``the Hebrew from the Bayou''), and a host of vaultingly ambitious campaign aides. At the close, Teddy Blockhead's good breeding helps produce a makeshift resolution of the succession problem, but not before Greenfield has had a field day with Washington's establishment, the media's feeding frenzies, idealogues whose ethics could most charitably be described as flexible, and other of federal government's less edifying pilot fish. A grand entertainment cum history lesson whose triumphant bad taste, genuine wit, and uncommon sense could and should make it a landslide winner in the marketplace. (Film rights to Savoy Pictures; author tour)
Pub Date: Sept. 12, 1995
ISBN: 0-399-13812-9
Page Count: 288
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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