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THE PEOPLE'S CHOICE

ABC-TV commentator Greenfield offers an antic first novel with a deadly serious point about the absurd perils posed by the electoral college. Two days after narrowly defeating his Democratic rival, the Republican president-elect of the US dies in the wake of a botched photo op. Almost everyone in the country, including Al DeRossa (a network TV analyst who more or less anchors the set-piece narrative), assumes the departed's running mate will be sworn in as chief executive come January. This prospect appalls professional pols and the public alike since the GOP's nominee for vice president is a blue-blooded boob by the name of Theodore Pinckney Block. As it happens, Teddy Blockhead (as he's widely known) is not a shoo-in because, while nominally pledged to vote for their parties' candidates, the nation's 535 electors are not actually bound to do so. One of the first to appreciate the implications of free agency is Dorothy Ledger, an elector from Michigan who confounds the Republican National Committee and the country when she raises points of order at an open meeting convened to fill the vacancy on the party's ticket with Block. Her stand at what was supposed to be a pro forma exercise unleashes a full-blown constitutional crisis and much behind-the-scenes deal-making. Contributing to the chaos are players like W. Dixon Mason (a charismatic black populist who trades on racial strife), lobbyist Jack Petitcon (``the Hebrew from the Bayou''), and a host of vaultingly ambitious campaign aides. At the close, Teddy Blockhead's good breeding helps produce a makeshift resolution of the succession problem, but not before Greenfield has had a field day with Washington's establishment, the media's feeding frenzies, idealogues whose ethics could most charitably be described as flexible, and other of federal government's less edifying pilot fish. A grand entertainment cum history lesson whose triumphant bad taste, genuine wit, and uncommon sense could and should make it a landslide winner in the marketplace. (Film rights to Savoy Pictures; author tour)

Pub Date: Sept. 12, 1995

ISBN: 0-399-13812-9

Page Count: 288

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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