Earnest work, written with obvious affection in its attempt to convey the charms and customs of Tuscany; but Shapiro’s tale...
The waterworks man in a small Tuscan town threatened by change seeks to regain his gusto: a sweet but slight fable by
first-time author and American expatriate Shapiro. For a flock of reasons, Renato Tizzoni’s world has suddenly gone all wrong, changing from glorious Technicolor to dreary black-and-white. For one thing, his hometown, Sant’Angelo D’Asso, has been doomed by a government dam project; for another, his 17-year-old daughter is in love with a boy he disapproves of; a beloved friend and mentor, besides, has just died; Renato’s taste for food, wine, and even for Milena, his beloved wife of 20 years, is waning; and he’s been disturbed by a strange dream in which a hand wearing a ring with a red stone leads him to a treasure. He interprets the dream to mean that his luck will change if he goes to Rome to visit the Pope, and his plan soon becomes grist for the town gossip mill, a bottega (combination bar, restaurant, and grocery store) owned by his in-laws. In a series of short chapters whose titles foretell their content, Renato recounts daily events and meets up with the locals: among them, the stunning English actress who leads him into “Temptation”; the American friend who reveals a love affair in a soul-baring conversation about “The Edge of a Breast”; and his parents” skeletons, which, in “Old Bones,” Renato must move to make room for the more recent dead. Along the way, he collects his compatriots” words of wisdom on a slip of paper that he carries in his back pocket and intends to present to the Pope. As the story moves languidly toward a predictable resolution, Renato realizes that many of the people he knows and loves need a change of luck as much as he does.
Earnest work, written with obvious affection in its attempt to convey the charms and customs of Tuscany; but Shapiro’s tale of a town’s people and midlife angst remains not just small in scale but, unfortunately, also tepid.Pub Date: April 13, 2000
ISBN: 0-06-019418-9
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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