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Concrete Evidence

A CALAVERAS COUNTY THRILLER

A simple tale with a hero who’s just a regular guy, which makes him all the more likable and exemplary.

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An agent in the Sierra Nevada Mountains, searching for missing parolees, fears that the Aryan Brotherhood may be responsible for their disappearances in Shaw’s straightforward debut thriller.

When Sam Wellington’s injury in Afghanistan renders him ineligible for re-enlistment in the Army, he gets a job as a correctional officer at San Quentin State Prison in California. It’s a tough gig, and he gladly opts for a parole agent position in nearby Calaveras and Amador counties, even if his predecessor, Lucas Kane, inexplicably disappeared. Sam’s duties seem fairly routine until he promises Jesse Ramirez’s family that he’ll look for the recently missing parolee. Other parolees disappear as well, but it’s the discovery of Kane’s badge that leads Sam to wealthy Felix Tully, who has ties to the Aryan Brotherhood. Sam, after a few run-ins with the Aryan group, whose members include Tully’s brother Hitler, believes he may find answers at Tully’s mansion in the mountains. The author aptly develops his protagonist well before the Calaveras investigation starts. Sam, for example, is an exceptional Army Ranger, but seeing him out of his element at the grueling San Quentin prison establishes him as both tolerant and pragmatic. His down-to-earth status makes the missing persons case even more intimidating and also sets the stage for his inevitable romance with the abrasive Pam Maxant. The no-nonsense Pam, whose cabin Sam rents, works her way into Sam’s investigation, including tagging along to a crime scene because she knows a more efficient route. The tale involves little mystery: Sam doesn’t gather clues or scrutinize evidence, and he has no genuine suspects beyond Tully and his Aryan entourage. But the villains are unquestionably menacing, particularly Hitler and his cohorts, sparking conflict with Sam after one merely brushes up against Sam’s shoulder in passing. The protagonist, meanwhile, makes progress with both the missing parolees and in his relationship with Pam. Lengthy scenes with Sam at a Veterans Affairs Hospital and San Quentin initially seem irrelevant but pay off in the blistering final sequence that allows Sam to use skills he’s picked up along the way. Mystery fans may see the lack of genre elements as a shortcoming, but Shaw keeps the story moving and retains interest with engaging characters.

A simple tale with a hero who’s just a regular guy, which makes him all the more likable and exemplary.

Pub Date: Sept. 30, 2015

ISBN: 978-0-9706798-8-8

Page Count: 388

Publisher: Talahi Media Arts

Review Posted Online: Nov. 13, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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