An intriguing and well-written, if emotionally flat, rendering of a gay relationship under siege.
A doctor and his jazz pianist lover square off against intolerance in the Roaring Twenties in this knotty gay romance.
It’s 1923, and Carl Holman, a 32-year-old, up-and-coming surgeon in Portland, Oregon, is attending a society wedding reception when he is smitten with piano player Jimmy Harper. Jimmy sports sandy hair, a trim body, and a strong jaw line, all of them “bathed in light from a stained-glass skylight.” Carl must keep his ogling discreet since he doesn’t know if Jimmy would reciprocate his affections, and because gay sexuality is illegal. That’s just one of many bigotries plaguing Oregon, where the Ku Klux Klan is a potent political force that backs eugenics laws, an education act that could ban Roman Catholic schools, and a general suppression of suspicious cultural influences. (When Jimmy and his band start playing conspicuously Black-sounding hot jazz music at a dance, club-carrying Klan louts insist they cut it out.) Carl gingerly pursues Jimmy, who agrees to a fishing trip that escalates to skinny-dipping, lunch, a Chaplin movie, and a spontaneous make-out session. Jimmy’s fiancee, Mary, dumps him after he confesses his same-sex inclinations, and he moves into Carl’s house, which accommodates much graphic, untrammeled sex. Alas, a boy spies them kissing through a window and the ensuing gossip gets Carl ostracized by neighbors and patients and draws the wrath of his boss, a Klan stalwart who is pressuring him to join the Invisible Empire. Carl’s only hope of salvaging his career is to quiet all the talk by contracting a sham engagement to his lesbian pal Gwen Cook.
Stookey’s period piece, the first installment of his Medicine for the Blues Trilogy, paints a frank, atmospheric portrait of closeted gay life in a hostile time, full of furtive eye contact, assignations in parks, a claustrophobic dread of exposure and violence, and a poignant sense of being shunned and abandoned. (“I don’t want to end up a lonely old fairy,” mourns Jimmy after his breakup with Mary.) The author’s prose, filtered through Carl’s first-person voice and medical sensibility, is often vivid and evocative, whether he’s describing jazz—“The music writhed and pulsated like a heart on an operating table, refusing to stop beating, pounding with joy and rambunctious freedom”—or a sensual touch. (“We delighted in the way the pliable, soft skin rides over the bony areas and adheres to the muscled parts of the body, in the sensations of warmth from the flesh attached by sinews and ligaments to the sturdy armature of skeleton.”) Unfortunately, the novel’s nods to historical details (“I suppose you haven’t heard about the inflation in Germany”) and intellectual fads feel tacked on. Supporting characters like teen hustler Billy Butler, tragic queen Jerry the Fairy, and Gwen’s raucous lover, Charlene Devereaux, are lively and magnetic, but the romantic leads are not. Carl is a staid liberal, Jimmy a bland ingénue, and their interactions often feel stilted. (“Jimmy asked about my work and I shared with him some humorous encounters I’d had with patients recently. Then he told me a funny story about his Uncle Wally’s gall bladder operation.”) The result is a love story that feels more like a yarn about an acquaintance than a tale of real passion.
An intriguing and well-written, if emotionally flat, rendering of a gay relationship under siege.Pub Date: N/A
ISBN: 978-1-7326036-0-8
Page Count: 299
Publisher: Pictograph Publishing
Review Posted Online: March 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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