VanderMeer (The Strange Bird, 2018, etc.) continues his saga of biotech gone awry and the fearsome world that ensues.
David Bowie had just one dead astronaut, poor Maj. Tom, in his quiver. VanderMeer puts three in the middle of a strange city somewhere on what appears to be a future Earth, a place where foxes read minds and ducks threaten their interlocutors: “I’ll kill you and feast on your entrails,” one duck says, and, on being challenged about his lab-engendered ducky identity, spits back, “You are not a whatever you are.” All very true. In the ruin of the world that the nefarious Company has left behind after its biotech experiments went south, such things are commonplace, and nothing is quite as it seems, although everything dies. Sometimes, indeed, everything dies even as it lives, which explains why those three astronauts, a nicely balanced blend of ethnicities and genders, are able to walk and talk even as their less fortunate iterations lie inert. Says one, Chen, of his semblable, “Keep him alive. He might have value,” an easy task given that one version of Chen has been blown “into salamanders,” as our duck can attest. Other creatures that flow out of the Company’s still-clanking biotech factory have similar fates: They are fodder for the leviathan that awaits in the holding pond outside, for the behemoth that stalks the land. “Bewildered by their own killing,” muses Grayson, one of the three. “Bewildered by so many things. To be dead without ever having lived." Much of the action in VanderMeer’s story is circumstantial, but it provides useful backstory to his previous books Borne and The Strange Bird, delivering, for example, the origin story of the blue fox and emphasizing the madness of a humankind that destroys the natural world only to replace it with things very like what has been destroyed. Or at least that’s their intention, creating instead a hell paved with the results of mad, bad science.
VanderMeer is a master of literary science fiction, and this may be his best book yet.Pub Date: Dec. 3, 2019
ISBN: 978-0-374-27680-5
Page Count: 352
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Sept. 13, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Categories: LITERARY FICTION | DYSTOPIAN FICTION
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Categories: LITERARY FICTION
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