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WWI CRUSADERS

A BAND OF YANKS IN GERMAN-OCCUPIED BELGIUM HELP SAVE MILLIONS FROM STARVATION AS CIVILIANS RESIST THE HARSH GERMAN RULE. AUGUST 1914 TO MAY 1917.

A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.

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Miller (Behind the Lines, 2014, etc.) offers the second volume of a tour-de-force history detailing a little-known World War I humanitarian rescue mission, led by a future American president.

During the early years of the First World War, an amazing organization, the Commission for Relief in Belgium, gathered together a group of idealistic young Americans to keep the people in German-occupied Belgium from starving. Popular historian Miller continues detailing the history of this organization, which was formed and run by none other than Herbert Hoover, who left his own successful business and mining-engineering interests to lead it. He and his intrepid CRB delegates constantly struggled with German military and governmental authorities and with the Belgian relief agency Comité National, but they managed to manipulate, cajole, bluff, and fight their way to providing the most extensive food relief program in modern history. They did so by preserving their absolute political neutrality and winning the respect and support of even the German aggressors. To succeed, Hoover and his band knew they had to be on the right side of worldwide public opinion: “Hoover’s understanding of this concept, and of the way the world’s news media worked, would serve him and his cause extremely well from the very beginning.” Miller delivers compelling portraits of young idealists who interrupted their lives to serve the CRB for no pay. He engagingly parallels this tale with the story of La Libre Belgique, a scrappy underground newspaper that continually poked the Germans in the eye; he shows how even though the Germans jailed and executed Belgian patriots associated with the paper, nothing could stop it from getting published. Miller is an accomplished writer who never gets in the way of his intriguing story, eliminating tiresome footnotes and in-text citations that might have detracted from the gripping historical narrative.

A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.

Pub Date: Nov. 11, 2018

ISBN: 978-0-9906893-8-6

Page Count: 726

Publisher: Milbrown Press

Review Posted Online: Sept. 7, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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