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PROMISED VIRGINS

A NOVEL OF JIHAD

A harsh, impressive work.

A debut novel set in Kosovo in the 1990s, from seasoned war correspondent Fleishman.

Narrator Jay Morgan is a grizzled war reporter who in his career has seen enough violence—including the death of his photographer wife—to make him disillusioned and cynical. In Kosovo he becomes embroiled in the ferocity of ethnic hostilities (“Yugoslavia’s unfinished chapter”) between the Serbs and the Albanians. He links up with Alija, a beautiful young translator who’s looking for her brother Ardian, a university student who disappeared months before. One of the first images of the novel sets the grim tone: Jay and Alija checking mass graves to see whether Ardian is among the victims. Both of them move uneasily among the brutal and brutish Serbs, especially the MUP, the Serb interior police. The MUP control the checkpoints and inflict daily violence on the towns and villages. The rebels, in contrast, occupy the mountains and use guerrilla tactics to destroy Serb soldiers and Jeeps before melting back into their hiding place. Jay has heard rumors of a mysterious, charismatic Muslim leader now living among the rebels and training them in tactics that include suicide bombing—or glorious martyrdom, depending on whose side the description is emanating from. (The “promised virgins” of the title refers to the ultimate reward of those willing to sacrifice themselves.) After much searching, and with help from those sympathetic to the rebel cause, Jay succeeds in having a brief and enigmatic interview with the shadowy figure known as Abu Musab. Jay has found out—though he keeps his knowledge from Alija—that among those Abu Musab is training in suicide tactics is Ardian. Fleishman, who is currently serving as the Cairo bureau chief for the Los Angeles Times, writes in a telegraphic, staccato style, reminiscent of Hemingway and well suited to the stark realities he depicts.

A harsh, impressive work.

Pub Date: Feb. 1, 2009

ISBN: 978-1-55970-897-5

Page Count: 264

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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