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AFTER YOU’VE GONE

Readers will likely be angered by the arbitrary thwarting of two appealing characters, but the novel’s prose is so gorgeous,...

More strong, thoughtful fiction from Lent (A Peculiar Grace, 2007, etc.) about family ties and the hold of the past on protagonists pondering their direction into the future.

Henry Dorn, 55, has come to Amsterdam in 1922, 18 months after the death of his beloved wife Olivia and troubled son Robert in an automobile accident. His two daughters are grown women with families of their own; he’s mildly estranged from his harsh mother; and his home in Elmira, N.Y., and a summer house in the Finger Lakes district are painful for him without Olivia. There seems no reason not to look for new experiences in Holland, from which his ancestors emigrated centuries ago. On the ride across the Atlantic he meets Lydia Pearce, a sophisticated, slightly younger woman who lives independently on an income from her family’s sawmills. Lent’s skillfully multilayered narrative weaves together the story of Henry and Lydia’s three-month affair in Amsterdam with his memories of his joyful marriage, of bitter conflict with his son after Robert returned from the World War with a morphine habit, of his hardscrabble childhood in a Nova Scotia fishing village, from which he escaped to Brown University and a career teaching at a women’s college. Henry’s ease with strong women is one of the things that attracts Lydia, and she too is the survivor of a great love, though hers was betrayed rather than fulfilled. Both know that a price must be paid for self-knowledge and growth. We follow with moved attention as this seasoned, rueful pair tentatively forges a connection that might bring them together for the rest of their lives—until Lent pulls the rug out from under them in an abrupt conclusion that asserts the baleful role of chance in human destiny.

Readers will likely be angered by the arbitrary thwarting of two appealing characters, but the novel’s prose is so gorgeous, its insights so mature, that they may be willing to accept its dark finale.

Pub Date: March 1, 2009

ISBN: 978-0-87113-894-1

Page Count: 272

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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