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IN THE FALL

Skillfully handled, each generation having its own clear voice and time. A marvelous and provocative piece of American

Family history as a double helix of white and black reaching back across three troubled generations: a densely layered saga

and remarkable debut. At the end of the Civil War, Vermonter Norman Pelham lies wounded in a Virginia field until he’s revived by the green-eyed African-American girl Leah, and between the two more than a spark of attraction is kindled. They walk back to his family farm together, arriving as husband and wife, and begin a life there secure in their love but knowing that not everyone looks favorably on their union. In time, three children are born, two daughters first, then, much later, a son, but Leah’s past comes back to haunt her. Before meeting Norman, when she fled North Carolina and the teenaged son of her owner/father, whom she thought she’d killed as he attempted to rape her, she also left her mother behind. Now, years of not knowing what happened to her force Leah to go home. She returns to Vermont in less than a week, silent and grim, and shortly thereafter hangs herself in Norman's woods, taking her secret with her. Jamie, her five-year-old son, grows up having to endure taunts about his heritage and his mother and, embittered, leaves the farm at the first opportunity, making a place for himself in the resorts of the White Mountains as a bar manager and supplier of moonshine. But when Prohibition raises the stakes, organized competition first toys with him, then takes him for a one-way ride. He leaves behind 16-year-old Foster, lover of bird dogs, who discovers letters written to Jamie from his sisters back in Vermont, and, when Foster visits them, learns the secret of his blood, then finally, in North Carolina, comes to see the root of the evil that drove his grandmother to take her life.

Skillfully handled, each generation having its own clear voice and time. A marvelous and provocative piece of American

Pub Date: April 1, 2000

ISBN: 0-87113-765-8

Page Count: 560

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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