A painless introduction to two of the 20th century’s greatest geniuses.



Dual biography of “the two brilliant individuals who have made the greatest impression on people across the world when they think of science.”

The meeting was the iconic first 1911 Solvay Conference in Brussels, attended by many geniuses besides the two in the title. Orens, a former engineer and executive with Solvay Chemical, presents portraits of Einstein and Curie that will not replace a focused individual life—see Walter Isaacson’s Einstein (2007) and Susan Quinn’s Marie Curie (1995)—but it’s a good read. Ernest Solvay (1838-1922) was a wealthy Belgian industrialist who, like Alfred Nobel, his contemporary, became a philanthropist for scientific causes. Still held every three years, Solvay conferences assemble elite physicists and chemists to discuss a significant problem. Einstein and Curie met at the first and remained friends, although their research never overlapped. As such, Orens skips back and forth as he recounts their lives. Not yet a scientific superstar, Einstein was a central figure at the 1911 meeting, the goal of which was to explain newly discovered quantum phenomena that didn’t make sense. His epic 1905 papers are mostly known for proposing relativity, but one explained that an electron could behave as a particle and energy wave at the same time. A groundbreaking discovery at the birth of quantum mechanics, this “photoelectric effect” (not relativity) won Einstein his Nobel Prize. It was among the first proven phenomena to contradict Newton’s laws, and scientists are still trying to reconcile these quantum effects and classical physics. Curie discovered radium, by far the most radioactive element. Although she didn’t discover radioactivity (a common error), she explained it as a consequence of a breakdown of the atom itself—not, as some theorized, a sort of chemical reaction. Fiercely dedicated, ambitious, and workaholic, she overcame poverty and the almost universal prejudice against educated women to became the first internationally famous woman scientist.  

A painless introduction to two of the 20th century’s greatest geniuses.

Pub Date: July 6, 2021

ISBN: 978-1-64313-714-8

Page Count: 336

Publisher: Pegasus

Review Posted Online: May 15, 2021

Kirkus Reviews Issue: June 1, 2021

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.


A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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