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SEX CRIMES

After making waves with her 1992 debut, Life-Size, the chronicle of an anorexic, Shute returns with a different, no less discomfiting tale of obsession, this time involving a woman so hopelessly in love that she blinds her erstwhile boyfriend. The deed is done before the story opens, with Christine Chandler, tagged in the tabloids as the Boston Fury, telling her own version of events for her lawyer's benefit as her trial looms. A driven 38-year-old attorney (Harvard Law, magna cum laude) specializing in immigration cases, Chris has never had much luck with relationships; when the much younger Scott, an unsuccessful ex-musician turned fledgling photographer, comes on to her at a New Year's Eve party, at first she doubts he'll be any different. She takes him to bed anyway, then calls him up to arrange future encounters in which body language does most of the talking. It isn't long, then, before they're seriously involved. But there's a problem, of course: Scott's live-in, who just happens to be on a yearlong assignment in Seoul. He still calls her regularly, making Chris insanely jealous, and after a few flare-ups followed by desperate reconciliations, the sex gets rougher, the rules get bent, and she discovers that both her self-esteem and her control are gone. Numb but still functioning, she moves to protect herself after a particularly brutal night, but one last confrontation in her apartment is still to occur—and the jury will be out a long time determining who was to blame for what eventually happened. While the effort to get inside the head of one so disturbed at times seems heavily stylized and clinical, there's no denying that this sexy fable of modernity exposes emotions that many might rather ignore. (Literary Guild and Doubleday book club selections)

Pub Date: Nov. 1, 1996

ISBN: 0-385-48504-2

Page Count: 176

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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