by Jenna Weissman Joselit ‧ RELEASE DATE: June 14, 2001
Useful reading in a time when, for Americans of whatever age, the rule of attire seems to be anything goes—and the sillier...
Fashion meets politics—and gets a little frayed in the encounter.
Cultural historian Joselit (The Wonders of America, not reviewed) examines American clothing styles from 1890 to 1930 as an expression not merely of the individual, but also of the body politic. With the advent of mass-produced garments and the decline in the domestic arts of sewing and mending, ready-to-wear clothing became the norm during this time, she observes, and with this norm came normative propaganda that proclaimed that “what one wore was a public construct, bound up with an enduring moral order.” This propaganda was generally mild and approving during an age when men could be expected to don their silk foulards and women their fox-skin gloves without protest, but it took on more strident tones when, in the 1920s, they began to experiment with odd colors and ever-higher hemlines, exciting prurient interest and theological condemnation in roughly equal measure. (Some years later, she writes, a Catholic priest even developed a line of clothing that, he argued, the Virgin Mary herself might wear were she to reappear on earth.) Drawing on insights from American and cultural studies, Joselit offers an account that is full of fascinating asides and historical oddments, one that gives due consideration to contemporary working-class and minority interpretations of just what constituted acceptable fashion. (As it happens, African-American and Jewish immigrant leaders, among others, urged their followers to dress respectably as a means of gaining status in the larger society.) Her study is marred somewhat by the author’s portentous and sometimes self-important tone—a characteristic of academic work in the field that is likely only to annoy general readers.
Useful reading in a time when, for Americans of whatever age, the rule of attire seems to be anything goes—and the sillier the better.Pub Date: June 14, 2001
ISBN: 0-8050-5488-X
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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