by Jennifer Alsever ‧ RELEASE DATE: Aug. 28, 2017
A slow-paced but keenly written fantasy that should surely spark interest in the trilogy’s finale.
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A famous pop star may have ties to a Colorado teen who disappeared three years ago in this second installment of a YA series.
Most people believe Ember Trouvé, who vanished as a high school senior, is no longer alive. But her best friend, Maddie Olson, now a college junior, refuses to accept Ember’s death while Jared Trouvé is practically obsessed with finding his sister. In fact, Jared is certain that pop singer Oshun is Ember. Though unconvinced, Maddie travels with Jared to catch one of Oshun’s concerts in Los Angeles. Meanwhile, Xintra is an enigmatic woman with a sinister plan in Trinity, a Colorado forest that Ember first discovered in Book 1. Evidently, most who find Trinity Forest don’t have the ability to leave. But Xintra claims she and others share DNA with ancient beings, and she’s implemented a plot of genocide in the outside world to “elevate the superior race.” Indeed, a deadly virus is quickly spreading in various U.S. states, and the vaccine is seemingly ineffective. Readers know that Ember is in an unexplained dreamlike state, but if she really is Oshun, she may be the only one who can stop Xintra and her extermination plan. Alsever (Ember Burning, 2017), whose preceding novel centered on the ominous Trinity Forest, tones down the fantasy/horror aspects in Book 2. This leisurely paced volume offers primarily Maddie and Jared’s story. Fiercely loyal Maddie is determined to find her friend and ensure Jared, for whom she clearly has feelings, doesn’t go “off the deep end.” Nonetheless, Xintra, the indisputable villain, is terrifying; she controls “rebirthers” who do her bidding outside of Trinity Forest and occasionally employs torture. The author’s confident writing, as in her earlier book, is visually arresting: “My heart stretches in two different directions”; “His voice is no longer chocolate. It’s blood red.” Though reading the first installment is not a necessity, it does significantly enhance the sequel, particularly regarding someone in Trinity Forest who has a relationship with Ember.
A slow-paced but keenly written fantasy that should surely spark interest in the trilogy’s finale.Pub Date: Aug. 28, 2017
ISBN: 978-1-5215-1176-3
Page Count: 343
Publisher: Time Tunnel Media
Review Posted Online: Aug. 8, 2019
Review Program: Kirkus Indie
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More In The Series
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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More by Paulo Coelho
BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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