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THE CHRISTMAS BOUTIQUE

A warm portrait of women bound by craft—perfect for fireside reading.

Sylvia Bergstrom Compson throws open the doors of Elm Creek Manor to host the town’s annual Christmas Boutique.

With its recently restored community rooms, the manor is the perfect place to host the fundraiser. A suggestion to hang holiday quilts over the booths in the ballroom has every woman scrambling to find the perfect piece and reminiscing over events that spurred her to take needle to fabric. Celebrating the 20th anniversary of the first novel in her extensive Elm Creek Quilts series, Chiaverini’s (Resistance Women, 2019, etc.) latest installment is rich with detail: Each chapter reads like a short story, telling the tale of a particular woman’s motivation to design and craft a particular quilt. Whether inspired by love or grief, the resulting artwork is described with astonishing attention to design, workmanship, and symbolism. Chiaverini also explores how the practice of her craft transforms each woman’s emotional life, each stitch bringing her closer to a sense of peace. For the foyer, Sylvia chooses the family’s Christmas Quilt, commemorating generations of quilters, each of whom struggled to complete the piece. Her sister-in-law, Agnes, chooses an appliqued cactus-block piece, recalling her discovery of a mysteriously hidden quilt and the quest to find its maker. Yet a few dark events overshadow the merry festivities, causing two quilters to debate whether they can contribute anything to the Boutique, and such omissions may mean losing their places in the community. But Elm Creek is a forgiving society that rewards each woman’s courage in facing her demons and confessing her sins. Devotees of the Quilts series will relish these new episodes, and new fans will delight to discover such a well-stocked back catalog.

A warm portrait of women bound by craft—perfect for fireside reading.

Pub Date: Oct. 1, 2019

ISBN: 978-0-06-284113-1

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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