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THE MASTER QUILTER

Fans will love the further development of the Elm Creek characters, though others may find the plotting a bit staid.

In this sixth of a series (a project that has spawned a quilting book and a line of Elm Creek fabrics), fans will find a pastiche of melodrama, female empowerment, and, of course, a quilting project.

Elm Creek Manor, the ancestral home of Sylvia Compson, has become a thriving school and meeting place for quilters. Sylvia is the guiding spirit of the operation, though she has the help of her eight co-owners, friends and confidants who run the school. This time, the story is centered on these friends, allowing each a chapter, though each quilter’s narrative covers the same time-frame and events. Sarah begins, secretly arranging a wedding quilt for Sylvia and her dapper new husband Andrew. The old couple eloped, and Sarah is asking former Elm Creek students each to send in a block for the quilt. Summer, the youngest member, then takes up the storyline, struggling with how to tell her mother Gwen (also an Elm Creek Quilter and a university professor) that she has moved in with her boyfriend. Given that Summer is almost thirty, it seems an odd dilemma, but when Gwen does find out, she’s livid that her daughter is sacrificing her independence to a man. We soon learn Gwen has problems of her own. Expecting to be named chair in her department, she’s passed over because of the seriousness of her academic research (or perceived lack thereof) in, you guessed it, quilting. The most charged chapter belongs to Bonnie. Her husband has changed the locks on their home, drained their bank account, and is trying to sell their condo to an unscrupulous developer. If that’s not enough, Bonnie’s beloved fabric store is robbed and vandalized, with the thief (who may be someone she knows) stealing all of the blocks sent in for Sylvia’s wedding quilt. Never fear, all turns out well in Elm Creek country.

Fans will love the further development of the Elm Creek characters, though others may find the plotting a bit staid.

Pub Date: April 1, 2004

ISBN: 0-7432-3615-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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