A lyrically profound collection.



An English professor and nonfiction writer reflects on the inseparability of beauty and brokenness in human life.

Between 1922 and 1931, photographer Alfred Stieglitz shot hundreds of cloud images that Sinor sees as “sky songs” “meant to pull the viewer into a vortex of light, merging the immediate and the transcendent.” In this book, the author follows Stieglitz’s artistic lead by taking “snapshots” of different parts of her life and probing them for meaning. In “Headwaters,” she grapples with an extraordinary synchronicity of events: On the day a beloved uncle died on an Alaskan river boat trip, her first son was conceived. Life and death, Sinor writes, joined in a way that was at once tragic and miraculous. In another essay, the author muses on the parallels between two unrelated but intertwined episodes. At Utah State, where she teaches creative writing, painful stories by a closeted gay student and a lesbian who “prayed daily to God to make her straight” made her uncomfortably aware of “the unchallenged homophobia” espoused by the Church of Jesus Christ of Latter-day Saints “theocracy” in which she lived. When LDS missionaries visited her home in an attempt to convert her, Sinor openly expressed disgust for their bigotry only to realize later that her anger came from the same place as the homophobia she excoriates. The author then explores her evolving relationship to religion. Once a fervent believer in a God, she eventually became an atheist. But marriage to a poet who believed that clouds were “proof enough…of the Divine” and a deepening of her practice of yoga during a three-month visit to India moved her away from “the sterile shore of atheism” and toward belief in “the existence of a force beyond what [she could] name.” Sinor’s skills in interweaving different stories within the essays and finding the hidden connections between them are evident throughout. Together, they work to create a tapestry that is both searching and insightful.

A lyrically profound collection.

Pub Date: Oct. 1, 2020

ISBN: 978-1-4962-2264-0

Page Count: 204

Publisher: Univ. of Nebraska

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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A juicy story with some truly crazy moments, yet Anderson's good heart shines through.


The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 6, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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