An ideal introduction to the life and work of an exceptional artist.
A memoir from one of Europe’s most original and accomplished writers.
German writer Erpenbeck has published a number of works of fiction, many garnering distinguished prizes and awards. In her first book of nonfiction, which she calls “a collection of texts,” she is “looking back for the first time at many years of my life, at the thoughts that filled my life from day to day during that time.” These essays, lectures, and speeches are organized in three parts: “Life,” “Literature and Music,” and “Society.” In the first, the author recounts her early years growing up in East Berlin, when she saw “soldiers on patrol” and the “barricades, the watchtowers, and the wall.” When she moved to another apartment, she could “read the time for my socialist life from this clock in the other world.” After the wall fell, she writes, “my childhood belonged in a museum.” In the second section, Erpenbeck begins with her literary models, especially fairy tales, which featured transformations that “expanded my reality like a drug.” She also discusses Hermann Hesse, Thomas Mann, and Edgar Lee Masters, whose taciturn poems made her “want to use language primarily to give shape to the gaps between the words, those mute spaces.” In Spoon River Anthology, she writes, the “pauses are part of the text, they may be the finest part.” In this essay and one on her book The Old Child, Erpenbeck is revealing about her unique literary style: elliptical, restrained, unvarnished, and austere. In her exploration of her play Cats Have Nine Lives, she explains how writing plays taught her to excise unnecessary words: “Silence is essential, it is the inseparable shadow of what is spoken.” In the last section, Erpenbeck the activist is front and center. “Blind Spots,” a keynote speech, powerfully addresses borders, refugees from “shitholes,” and the “concept of freedom.”
An ideal introduction to the life and work of an exceptional artist.Pub Date: Sept. 29, 2020
ISBN: 978-0-8112-2932-6
Page Count: 212
Publisher: New Directions
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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