by Jenny Lawson ‧ RELEASE DATE: Sept. 22, 2015
Kudos to Lawson for being a flagrant and witty spokesperson for this dark subject matter.
Lawson (Let’s Pretend This Never Happened, 2012), “The Bloggess,” pokes fun at herself as she addresses the serious nature of her mental and physical illnesses.
“I’ve struggled with many forms of mental illness since I was a kid,” writes the author, “but clinical depression is a semi-regular visitor and anxiety disorder is my long-term abusive boyfriend.” Rather than hiding the facts, she openly divulges, in a darkly humorous way, how she copes with rheumatoid arthritis, depression, panic attacks, anxiety, and the days when she is driven to pull her hair out or cut herself. Along with discussions about taxidermic giraffes and raccoons, whether cats yawn, and mobs of swans attacking her, readers learn the particular ways Lawson has learned to cope with those moments that threaten to overwhelm her—e.g., readings that send her cowering behind the podium or fleeing to the bathroom, passing out during a gynecological exam because she’s afraid of medical coats, or trying to find a solution to her sleep problems by attending a sleep clinic. The details are sometimes graphic—“I always tell gynecologists that if I pass out when they’re in my vagina they should just take that opportunity to get everything out of the way while I’m out”—but always honest and usually funny. Lawson’s goal is not to offend, although that might happen to some readers, but to lay bare the truth about her struggles in life so that others can benefit. She does a solid job exposing the hidden nature of mental illness by putting a direct spotlight on her own issues, thereby illuminating an often taboo subject. Her amusing essays open up a not-so-funny topic: mental illness in its many guises.
Kudos to Lawson for being a flagrant and witty spokesperson for this dark subject matter.Pub Date: Sept. 22, 2015
ISBN: 978-1-250-07700-4
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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