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THE POMPEY HOLLOW BOOK CLUB

A heartfelt story about growing up in the shadow of World War II.

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A group of kids in rural upstate New York have a series of adventures in the years following World War II.

Young Jerry Antil has always been a city boy, so when he and his family—including his mother, his baker father Big Mike and his brothers Mike and Dick—move from the town of Cortland, N.Y., to the country in 1948, he knew he’d have to make some adjustments. Luckily Jerry, like others who grew up during World War II, is a resourceful kid who knows how to make the best of any situation. And thanks to his father, Jerry knows that if you pay attention there’s plenty of adventure to be had no matter where you are. He and a group of likeminded kids form the Pompey Hollow Book Club, and before long they are finding excitement everywhere, whether they’re looking for a group of thieves who have been breaking into local businesses or trying to save a gaggle of innocent poultry from a grisly end on the Thanksgiving table. Although structured as a series of discrete stories, the flow of the narrative feels more like a novel than a collection of short stories. The characters are well developed—especially the kids—and the prose is plain but competent. The humor is more goofy than witty, but it will be a hard-hearted reader who won’t chuckle at least once. The novel occasionally comes across as a little saccharine, but it feels honest and heartfelt all the same. The most affecting passages describe Jerry’s relationship with his extraordinary father, who instills in him a strong sense of decency, as well as a love for adventure. The author makes a compelling point by stressing the idea that growing up in wartime had a profound effect on the outlook and attitudes of the children, among other things allowing them to make the most of any situation. 

  A heartfelt story about growing up in the shadow of World War II.

Pub Date: Dec. 7, 2011

ISBN: 978-0984718702

Page Count: 309

Publisher: Little York

Review Posted Online: Jan. 16, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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