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DANIEL'S MUSIC

ONE FAMILY'S JOURNEY FROM TRAGEDY TO EMPOWERMENT THROUGH FAITH, MEDICINE, AND THE HEALING POWER OF MUSIC

A riveting chronicle of stunning achievement against the odds.

Just days from his 13th birthday, Daniel Trush suffered a massive cerebral hemorrhage; this is the story of his miraculous recovery, recounted by Preisler (CSI: Crime Scene Investigation: Skin Deep, 2010, etc.) and the Trush family.

Three weeks after emergency surgery, Danny was still in a medically induced coma and dependent upon life support. At first, the odds that the boy would survive were slim. Though doctors performed surgery to deal with the multiple, previously undiscovered aneurysms, the brain damage was extensive. Danny’s father, Ken, spent every night at his son's bedside, singing along as a boom box played their favorite songs, but the boy's neural activity had virtually flat-lined. Doctors urged the family to pull the plug, but they refused, and their faith that he would recover was rewarded. On Easter Sunday, Ken was sitting on the end of his son's bed to make room for visitors. Suddenly, he felt a toe poke him. Turning to look at his son, he saw a faint smile on his face. During the next several days, there were more indications that Danny was becoming conscious and trying to communicate, but at first, doctors remained skeptical. The authors chronicle the process of Danny's yearlong rehabilitation in the hospital. Singing was part of the process. Despite problems with short-term memory and a paralyzed arm, Danny studied music theory and piano. He also completed the New York City marathon at a walking pace. Eventually, he and his family started a nonprofit music foundation to provide free music education for the disabled. In 2011, he led students in a Broadway performance sponsored by the New York Yankees. Later, they sang the National Anthem at Yankee Stadium before the game.

A riveting chronicle of stunning achievement against the odds.

Pub Date: Sept. 1, 2013

ISBN: 978-1-62087-694-7

Page Count: 240

Publisher: Skyhorse Publishing

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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