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END TIMES

An action-packed and refreshingly innovative take on a popular genre.

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In this theological thriller, a veteran police officer attempts to track down a peculiarly talented man suffering from amnesia who may be the key to the fate of the world. 

Sgt. Alex Randall sees an “impossibly good looking” man meandering about aimlessly down a dead-end road. When he stops to check on his well-being, Randall discovers the man is suffering from radical amnesia. Not only does he not remember his own name, he seems to know virtually nothing about the world—he has to inquire what an ID is when asked to produce one. Randall decides to take him to Templeton Hall, a local psychiatric institute, where the stranger immediately charms the entire nursing staff—he’s so handsome, they name him Rex, Latin for king. Rex is visited at the hospital by an old man who warns him to flee—evil is fast approaching—and the next day, he’s disappeared and everyone at the facility, more than two dozen people, is found tortured and dead. Meanwhile, a man named Camael visits Randall and requests his help to find Rex—he’s willing to pay extravagant sums of money. He claims that Rex’s life is somehow wrapped up in the destiny of humanity, and despite the utter implausibility of his view, Randall is inclined to believe him and suspects he is an angel. Rex is preternaturally gifted at all things, and is recruited to become some kind of star—maybe a musician or a baseball player or actor—and is represented by Molly Simon, a photographer eager to capitalize on his infinite skills and marquee good looks. In his energetic novel, Carroll (The Horror Writer, 2017, etc.), a bestselling author and former journalist twice nominated for a Pulitzer Prize, artfully combines two genres—a hard-boiled detective mystery and a religion-infused tale about the end of the world. He blends the inventive with the stale, creating an unpredictable adventure within an all-too-familiar formula. But Randall’s character is a notable point of weakness—it’s hard to square his history as a policeman and soldier with his quick credulity. It’s remarkably early in the story when he confidently claims to Molly: “Make up your own mind…but to me it’s looking like a good versus evil thing.”

An action-packed and refreshingly innovative take on a popular genre.

Pub Date: Jan. 25, 2019

ISBN: 978-0-9898269-6-9

Page Count: 448

Publisher: Swaggering Press

Review Posted Online: April 27, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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