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END TIMES

An action-packed and refreshingly innovative take on a popular genre.

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In this theological thriller, a veteran police officer attempts to track down a peculiarly talented man suffering from amnesia who may be the key to the fate of the world. 

Sgt. Alex Randall sees an “impossibly good looking” man meandering about aimlessly down a dead-end road. When he stops to check on his well-being, Randall discovers the man is suffering from radical amnesia. Not only does he not remember his own name, he seems to know virtually nothing about the world—he has to inquire what an ID is when asked to produce one. Randall decides to take him to Templeton Hall, a local psychiatric institute, where the stranger immediately charms the entire nursing staff—he’s so handsome, they name him Rex, Latin for king. Rex is visited at the hospital by an old man who warns him to flee—evil is fast approaching—and the next day, he’s disappeared and everyone at the facility, more than two dozen people, is found tortured and dead. Meanwhile, a man named Camael visits Randall and requests his help to find Rex—he’s willing to pay extravagant sums of money. He claims that Rex’s life is somehow wrapped up in the destiny of humanity, and despite the utter implausibility of his view, Randall is inclined to believe him and suspects he is an angel. Rex is preternaturally gifted at all things, and is recruited to become some kind of star—maybe a musician or a baseball player or actor—and is represented by Molly Simon, a photographer eager to capitalize on his infinite skills and marquee good looks. In his energetic novel, Carroll (The Horror Writer, 2017, etc.), a bestselling author and former journalist twice nominated for a Pulitzer Prize, artfully combines two genres—a hard-boiled detective mystery and a religion-infused tale about the end of the world. He blends the inventive with the stale, creating an unpredictable adventure within an all-too-familiar formula. But Randall’s character is a notable point of weakness—it’s hard to square his history as a policeman and soldier with his quick credulity. It’s remarkably early in the story when he confidently claims to Molly: “Make up your own mind…but to me it’s looking like a good versus evil thing.”

An action-packed and refreshingly innovative take on a popular genre.

Pub Date: Jan. 25, 2019

ISBN: 978-0-9898269-6-9

Page Count: 448

Publisher: Swaggering Press

Review Posted Online: April 27, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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