An honest look at ugliness, hope, and love in a struggling small town.
In this debut novel, an act of destruction sends a high school football player’s life spiraling toward blessed terrain.
Eighteen-year-old Orville “Orv” Osentoski plays high school football in Canton, Michigan. Part of the state’s Thumb (five counties that are “economically and culturally depressed”), “Can’t Town” loves nothing more than high school sports and beer. One night after a game in neighboring Frankendorf, Orv falls asleep in the locker room, missing the team’s bus home. He shatters a urinal while escaping the locked building and then walks to a tavern called Der Bierstube. Inside he finds Canton’s town drunk, Matty MacDougall, and asks for a ride home. In Matty’s roach-infested 1966 Mercury Montego, the two tour several more bars. After hearing of Orv’s escape, Matty nicknames him Chief and repeats the story to anyone who’ll listen. In the Dunkel Bar, a bartender named Brenda Slohn—who has a large birthmark on her face—sits on Chief’s lap, giving the reserved teen a taste of the Thumb’s adult nightlife. But he also comes away from the experience realizing that Matty, out of Canton’s large crop of characters, has a “diamond-among-rhinestones affability.” He also can’t stop thinking about Brenda, who’s six years older than he is. In this ribald tale, MacNeil offers an unflinching examination of downturned America, where “landscapes are increasingly acned with strip malls and housing complexes,” and most adults consume at least six alcoholic drinks a day. While difficult subjects are explored, the prose delivers excellent psychological nuances; Chief’s father, Garland, strikes his mother and “watching his wife fly across the room reminded him of his football days, which unearthed a confusing mix of contradictory emotions, like...pride and worthlessness.” The author lightens the mood with puns and sexual commentary. When English teacher Liina “Ol’ Bitch” Olbich asks her students to write a paper about someone in Canton whom they admire, Chief’s determination to portray Matty favorably proves emotionally revelatory, for the town’s citizens and MacNeil’s audience. Overall, sweetness and levity battle with bawdiness for the tone of this story.
An honest look at ugliness, hope, and love in a struggling small town.Pub Date: May 15, 2017
ISBN: 978-1-5356-0712-4
Page Count: 330
Publisher: WaveCloud Corporation
Review Posted Online: June 20, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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