by Jervey Tervalon ‧ RELEASE DATE: Feb. 21, 1994
Drugs batter a black L.A. neighborhood observed by eight different narrators, ranging from dealers to do-gooders: an often eloquent first novel. It opens with a young dealer being shot dead by his crackhead girlfriend, and ends with his brother being shot dead by the same woman, now pregnant with a crack baby, but what's remarkable about Tervalon's story is its overall restraint: what's important here is not the violence but the voices—the voices of the wannabe gangsters and their molls, relatives and teachers. Foremost among them is Francois, a promising athlete who drops out of high school just before graduation because he has a chance to ``get over'' selling drugs to white folks in Santa Barbara, and has learned nothing from seeing his homeboy Doug gunned down. Tougher, smarter (and better realized) than Francois is his girlfriend Margot, who knows she must get out of the neighborhood fast to survive but experiences culture shock at UCLA's bucolic Santa Cruz campus. The slow cracking of her hard shell is beautifully done, as are the Santa Barbara adventures of Francois and his smooth, skirt-chasing, middle-class mentor Tommy. Also hurrying out of the 'hood are Francois's mother Ann, a nurse, relocating to Atlanta, and his English teacher Michaels, his idealism exhausted. That leaves Doug's sister Sally, a devout Christian, who befriends the crackhead Rika, her brother's killer, and vows to take care of the baby. Lost in the shuffle is Francois, now working for the ruthless Cowboy and presumably a lost cause. The story eventually loses its tautness to become another lesson on the evils of drug addiction; still: a fine portrayal of a lost generation denied the luxury of innocence.
Pub Date: Feb. 21, 1994
ISBN: 0-688-04560-X
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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