by Jesmyn Ward ‧ RELEASE DATE: Nov. 20, 2008
Blues on the bayou, and blood to boot.
The piney woods of southern Mississippi aren’t much of a place. Everyone knows everyone’s business, nobody has enough to do, and in between hurricanes there’s only trouble to get into. Ward’s first novel opens with Christophe and Joshua DeLisle, fraternal twins, preparing to jump into the swirling waters of a muddy river—to cool off, not to kill themselves. It’s a portentous moment, for just as each will jump differently, so will their lives take a different course. Caring for an ailing grandmother and just out of high school, the boys are holding their own in this backwater world until temptation presents itself: Joshua finds himself with some folding money after finding a job on the wharves, Christophe with yet more folding money after he takes up selling a little weed after not finding licit work. Danger insinuates itself in the form of the boys’ long-absent father, a bad actor with a mean drug habit who likes stronger blends than Christophe has to sell, and the story thenceforth takes turns that can be seen coming from a long way off. Ward’s plotting is predictable, but her story is closely observed, full of telling details: “Christophe had fallen asleep in the middle of counting his money, and was stretched out with his arms thrown over his head as if he had been surprised, his mouth open, the bills ragged and bunched underneath him.” The author, a native of the Mississippi coast, serves up a world that has been little depicted: the rural African-American South, a place of grinding poverty but enduring loyalties, tragic but somehow noble at the same time.
A promising debut.Pub Date: Nov. 20, 2008
ISBN: 978-1-932841-38-1
Page Count: 236
Publisher: Agate
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 1, 2008
Categories: GENERAL FICTION
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by Judy Blume ‧ RELEASE DATE: May 8, 1998
The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.
Pub Date: May 8, 1998
ISBN: 0-385-32405-7
Page Count: 336
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1998
Categories: GENERAL FICTION
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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