An absorbing and powerful story showing the pointlessness of war.
A boy searches for his sister near the end of the Trojan War.
Eleven-year-old Hani wonders if he is the last person on Earth. His family and neighbors have recently disappeared, either killed or dragged away to serve in the war. For as long as Hani has lived, war has raged. Now alone, he survives by killing and roasting frogs. A gentle soul, he doesn’t like killing harmless creatures, but he needs to eat. He feels a special bond with his 6-year-old sister, Arinna, and they share a secret language. Arinna used to sing them both to sleep with songs that she’d heard from the gods, the songs that would protect children from danger, and now she is gone. He sets out on a journey to find her and bring her home. He believes he is not brave, so his mission calls for “loyalty and pluck.” While the setting is not explicitly named, the details—such as bronze daggers, cubit measurements, and the remnants of a wooden horse—firmly situate the tale in the aftermath of the Trojan War. Hani travels with his loyal donkey, Ansa, a source of comfort and wisdom. He does wonder if the thousand or more gods on Mount Hazzi are real; if they were, “why would they destroy the world, then choose him, Hani, the most ignorant person alive, to be the only survivor?” He comes to a burned-out city with its “twisty tangle of human corpses,” almost every one of them an old person. This war has been explained to him his whole life, but he still knows nothing. However, he believes in fate, which even the gods are powerless to stop. His own fate is to search for Arinna. Meanwhile, the first sign he sees of life is a dying soldier who opens his eyes. Is he an invader from across the seas, or is he a defender? Hani doesn’t know, but he has three choices: He can kill the man, walk away and let him die, or try to slake the poor man’s thirst. His decision guides the rest of the plot in this remarkable post-Iliad adventure. Although admittedly ignorant, Hani wisely muses that “love is what holds the world together; even a child knows it, a donkey knows it, a trapped frog knows it.” And perhaps more ominously, “Maybe peace is just war taking a rest.” But he loves “when the first stars appear, rising freshly washed and sparkling from the sea.”
An absorbing and powerful story showing the pointlessness of war.Pub Date: May 20, 2025
ISBN: 9780316581233
Page Count: 224
Publisher: Little, Brown
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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