A somber fable that offers a disturbing and persuasive portrait of the corrosive anomie of modern life as its effects are reflected in two very different people. Ben Givens, the hard-bitten narrator of Browner's second novel (after Conglomeros, 1992), is cast up on tiny Turnaway Island (in the East River, just off the shoreline of Manhattan) when his boat sinks. The island's only inhabitants (and its owners) are the elderly, austere Dr. Joseph Ross and Elias Hutchinson, a 29-year- old man who is part wild child, part self-assured scholar. Elias, whose father was a famous anthropologist, has grown up believing that he is the last member of the Siwanoy, a tribe of Native Americans largely exterminated by the first white settlers of Manhattan. He spends part of each day attempting to live much as his purported ancestors did, and the rest of the time researching and writing scholarly articles about them. Givens, bitter, angry, suspicious, is appalled that Elias has never left the island. He's at first suspicious of Elias's mix of acute intelligence and intractable sweetness and generosity, only gradually letting his guard down. Then, motivated by a mixture of envy and affection, he lures Elias to Manhattan, determined to yank him out of the unreal vision of the past in which he lives. Inevitably, Givens's actions set in motion a series of disasters that come close to destroying them both. Browner's portrait of Manhattan as a sterile, vacuous, violent place, and of Givens, the ultimate self-involved city- dweller, are exact and ferocious, and provide a resonant contrast with Elias's descriptions of the pastoral life of the Siwanoy. Elias's descent into heartbreak (he is not, as it turns out, an Indian) and madness (his island refuge is seized by the city) is both believable and moving. Browner's first novel was a savage satire of modern life. His second, more meditative, is nonetheless a powerful, ingenious work, further evidence that a writer of considerable talent has emerged.
Pub Date: May 1, 1996
ISBN: 0-679-44788-1
Page Count: 288
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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