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THE OBITUARY MURDER

A solid mystery that would benefit from a little less talk and a lot more action.

An arsonist, a probable illegal gambling ring, and a suspected serial killer compete for a Tennessee sheriff’s attention.

Hester’s (The House of Cards Murder, 2014, etc.) sixth installment of a mystery series finds lawman Jonas Lauer pulled in different directions professionally and personally. A firebug has been torching buildings in the area, and Jonas sees an escalation in the arsonist’s activity. The sheriff also thinks an abandoned factory with “a smorgasbord of shoe impressions” on its dusty floor, freshly emptied beer bottles, and a telltale poker chip points to an illegal gambling ring. But this worrisome case begins when Jonas’ mother smells something putrid coming from an elderly neighbor’s house. The stench turns out to be the neighbor himself, who’s in an advanced state of decay. The widower’s bloated body reclines in the center of his bed. After surveying the scene, Jonas does “not believe for one instant that Olen Peterson died from natural causes.” Jonas finds hidden in the dead man’s desk obituaries of elderly people whose apparent deaths by “natural causes” went unnoticed for quite some time. Patterns in the deaths indicate a serial killer may be targeting the elderly, particularly ones cut off from society. Jonas fears his own parents may be targeted. The sheriff’s other concerns stretch into the afterlife, as he is haunted by the ghost of a criminal who died in his arms, and into his domestic life, as he helps his fiancee, Lydia Corbett, finalize wedding plans. In this series entry, language can sound unnatural, as when Jonas admits to “allowing the pinwheels of my mind, to oscillate in silence for a few seconds.” Often, descriptions of characters are too similar—for example, six have “square faces.” Although getting into Jonas’ head adds richness to the character, the tale suffers from too much reminiscing and recapping. A lighter subplot, a series feature up to now, is absent from this volume, which laments the opioid epidemic, youth-obsessed culture, and the annihilation “of the local trade” by big-box stores. Still, Jonas shines as a likable, thoughtful character—“one of the good ones” according to Lydia—in this folksy and engaging series with a distinct Southern feel. 

A solid mystery that would benefit from a little less talk and a lot more action.

Pub Date: Sept. 17, 2019

ISBN: 978-1-69338-696-1

Page Count: 454

Publisher: Self

Review Posted Online: Nov. 19, 2019

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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