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THE OBITUARY MURDER

A solid mystery that would benefit from a little less talk and a lot more action.

An arsonist, a probable illegal gambling ring, and a suspected serial killer compete for a Tennessee sheriff’s attention.

Hester’s (The House of Cards Murder, 2014, etc.) sixth installment of a mystery series finds lawman Jonas Lauer pulled in different directions professionally and personally. A firebug has been torching buildings in the area, and Jonas sees an escalation in the arsonist’s activity. The sheriff also thinks an abandoned factory with “a smorgasbord of shoe impressions” on its dusty floor, freshly emptied beer bottles, and a telltale poker chip points to an illegal gambling ring. But this worrisome case begins when Jonas’ mother smells something putrid coming from an elderly neighbor’s house. The stench turns out to be the neighbor himself, who’s in an advanced state of decay. The widower’s bloated body reclines in the center of his bed. After surveying the scene, Jonas does “not believe for one instant that Olen Peterson died from natural causes.” Jonas finds hidden in the dead man’s desk obituaries of elderly people whose apparent deaths by “natural causes” went unnoticed for quite some time. Patterns in the deaths indicate a serial killer may be targeting the elderly, particularly ones cut off from society. Jonas fears his own parents may be targeted. The sheriff’s other concerns stretch into the afterlife, as he is haunted by the ghost of a criminal who died in his arms, and into his domestic life, as he helps his fiancee, Lydia Corbett, finalize wedding plans. In this series entry, language can sound unnatural, as when Jonas admits to “allowing the pinwheels of my mind, to oscillate in silence for a few seconds.” Often, descriptions of characters are too similar—for example, six have “square faces.” Although getting into Jonas’ head adds richness to the character, the tale suffers from too much reminiscing and recapping. A lighter subplot, a series feature up to now, is absent from this volume, which laments the opioid epidemic, youth-obsessed culture, and the annihilation “of the local trade” by big-box stores. Still, Jonas shines as a likable, thoughtful character—“one of the good ones” according to Lydia—in this folksy and engaging series with a distinct Southern feel. 

A solid mystery that would benefit from a little less talk and a lot more action.

Pub Date: Sept. 17, 2019

ISBN: 978-1-69338-696-1

Page Count: 454

Publisher: Self

Review Posted Online: Nov. 19, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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