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THE WASHINGTONIENNE

Nothing wrong with a narrator this shallow, but she should at least be funny.

Party girl leaves cushy New York life for meagerly paid Capitol Hill job and starts sleeping with the high and mighty for extra cash.

While there are plenty of mistakes Cutler doesn’t make in her first novel, subject matter as salacious as hers still deserves to be more interesting than this. Cutler was the briefly infamous Senate employee whose blog about her scandalous romantic entanglements led to her being unmasked and losing her job. Here, Jackie is a New York club fiend interested only in dancing, drugs and screwing around who loses her rich boyfriend/meal ticket after cheating on him and has to crash with a friend in D.C. while getting subsistence pay working for a senator. Always quick to figure out how to have a good time on someone else’s dime, it’s not long before Jackie is sleeping with some powerful men and getting money in return. She’s not quite a hooker, in that there’s never talk about price—envelopes of cash are left on bedstands, Jackie mentions her rent is due and it gets paid, etc.—but the difference is fairly academic when her secret is blown. It’s a relief that Cutler seems to have few illusions about Jackie, an aggressive airhead who’s looking for her next meal ticket and can be counted on to be the most self-obsessed person in any room (“Despite my life-shattering emotional trauma, it was nice to know that I still looked hot”). Still, that clarity of vision doesn’t mean the reader is in for any insight beyond a few pop-psych tidbits tossed out near the end. Cutler has a tendency to use spoiled and lazy writing to talk about spoiled and lazy people who think they deserve acclaim for how spoiled and lazy they are. The result, ultimately, is a book best read for its depressing portrait of the scrounging, idea-free juveniles who staff Capitol Hill offices.

Nothing wrong with a narrator this shallow, but she should at least be funny.

Pub Date: June 1, 2005

ISBN: 1-4013-0200-9

Page Count: 304

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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