Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is...
Teen pregnancy is a source of shame in this disappointing second outing from Martinez (Virtuosity, 2011).
Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is almost prissy in her moral uprightness, while Charly flirts with the boundaries of acceptable behavior for preachers’ kids with her devil-may-care antics and free-spirited adventures. When Charly discovers that she’s pregnant after what appears to be a one-night stand, the girls’ grandmother chooses a very mid-20th-century approach to squashing the inevitable conservative small-town gossip, sending the girls to live with their late mother’s sister, Bree, in Calgary, until Charly gives birth and selects adoptive parents for her baby. Grandma’s jaw-droppingly retro decision, motivated by a wish to protect the girls’ father from the truth, means that both girls have to go to maintain the fiction of going to acquaint themselves with their Canadian relatives. Amelia, furious at being so out of control of her life, lashes out repeatedly at Charly. Amelia doesn’t exercise much self-awareness until she sees how gracefully Ezra—the cute library worker with whom she enjoys crackling chemistry—handles his own family burdens, and Charly finally confides the terrible secret she’s been hiding. This old-fashioned–feeling problem novel lets readers down in its focus on shame rather than the hugely life-altering results of teen pregnancy.Pub Date: Oct. 16, 2012
ISBN: 978-1-4424-2055-7
Page Count: 400
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Aug. 14, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Skip this uninspired entry into the world of medieval love and court intrigue.
In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.
The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.
Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)Pub Date: May 5, 2020
ISBN: 978-0-06-229163-9
Page Count: 320
Publisher: HarperTeen
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: March 1, 2020
Stronger books may exist about the 1960s, but female friendship tales never go out of style.
For “bad girls,” hell can be a place on Earth.
In Houston in the early ’60s, girls only seem to have two choices: be a good girl and get married or be a bad girl and live your life. Fifteen-year-old Evie, from a working-class White family, became a bad girl after her sister’s shotgun wedding took her away from home. Mexican American neighbor Juanita, who smokes, drinks, wears intense eye makeup, and runs with the tough crowd, takes Evie under her wing, but despite the loyalty of this new sisterhood, Evie often feels uncertain of her place. When a rich girl from the wealthy part of town named Diane saves Evie from assault by killing the attacker, Evie finds a new friend and, through that friendship, discovers her own courage. This work borrows a few recognizable beats from S.E. Hinton’s 1967 classic, The Outsiders—class tensions, friendship, death, and a first-person narrative that frequently employs the word tuff—but with a gender-swapped spin. Overall, the novel would have benefited from a stronger evocation of the setting. During an era of societal upheaval, Evie struggles to reconcile her frustration at the limited roles defined for her and her friends, with many moments of understanding and reflection that will resonate with modern readers’ sensibilities—although sadly she still victim blames herself for the attempted assault.
Stronger books may exist about the 1960s, but female friendship tales never go out of style. (author's note, resources) (Historical fiction. 12-15)Pub Date: Oct. 19, 2021
ISBN: 978-1-250-23258-8
Page Count: 304
Publisher: Roaring Brook Press
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
