by Jessica Scott Kerrin ; illustrated by Shelagh Armstrong ‧ RELEASE DATE: March 1, 2013
A tough but realistic view of the inner workings of a rather nasty boy.
Norris is a boy kids love to hate—with good reason.
The second of a planned trilogy that explores the same event from the viewpoints of three children in a Nova Scotian village, each in a separate book. This one focuses on Norris, a clever bully who spends his time thinking of ways to dodge around others’ wishes to satisfy his own instead. He’s the son of the town’s largest employer, an arrogant man who’s raising the boy in his own image. Chosen to care for his teacher’s plants while she’s on maternity leave, Norris has accidentally destroyed her prized cactus. He hides the evidence, then schemes to pass the blame. He enlists the reluctant aid of Graeme, a smart boy strongly focused on marine biology, with the implication that Graeme’s father, a lobsterman who has caught a giant lobster, will end up with enough money by auctioning it to Norris’s father that Graeme will be able to visit Big Fish, a major aquarium. During the auction, Norris realizes how his father’s actions are souring the community; he rethinks his own course, but it’s far from clear that he’s reformed—no doubt a believable result. Told from Norris’ unpleasant point of view, it’s all but impossible to warm to his character, even though it’s fairly clear that he walks in his father’s shadow.
A tough but realistic view of the inner workings of a rather nasty boy. (Fiction. 8-11)Pub Date: March 1, 2013
ISBN: 978-1-55453-642-9
Page Count: 136
Publisher: Kids Can
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Jessica Scott Kerrin ; illustrated by Shelagh Armstrong
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by Jessica Scott Kerrin ; illustrated by Qin Leng
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
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by Chad Morris & Shelly Brown
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