Any admirer of Jack London—or of Dersu, or Farley Mowat, or other chronicles and chroniclers of wolf-human interaction—will...

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WOLF TOTEM

The Call of the Wild meets Dersu Uzala in the wilds of Inner Mongolia in this sweeping debut novel by retired Chinese academician Jiang. In China, it has emerged as a zeitgeist novel, outselling any other in Chinese history short of Mao’s little red book.

The Mongolian herders of the dry borderlands fear wolves, and rightly, for the fierce and intelligent animals like nothing better than snacking on their herds. Chen Zhen, a Beijing intellectual who, in a back-to-the-land moment, has come to live among the herders, has plenty of opportunities to study lupine behavior as wolves tear into the sheep pens night after night. Like his adopted compatriots, though, he soon comes to learn that the wolves have a place in the world. “Oh, I hunt them,” an old man tells him. “But not often. If we killed them off, the grassland would perish, and then how would we survive? This is something you Chinese cannot understand.” Chen does come to understand, taught by an orphaned wolf cub he raises, if with some difficulty: As he realizes, “a rat knows how to dig a hole because it has observed adult rats at work,” while he’s not quite clear on what he can teach his young charge. That arrangement, life-transforming though it is, cannot but yield tragedy, and it stands as a metaphor for a larger tragedy in the geopolitical food chain: the virtual conquest of the grasslands by ethnic Chinese immigrants who think nothing of killing anything that looks like a dog and who transform the grasslands into desert. Jiang’s story is a careful, quiet one of cultures in collision, capably brought into unadorned English by translator Goldblatt.

Any admirer of Jack London—or of Dersu, or Farley Mowat, or other chronicles and chroniclers of wolf-human interaction—will find this a treasure.

Pub Date: March 31, 2008

ISBN: 978-1-59420-156-1

Page Count: 544

Publisher: Penguin Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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To use the parlance of the period, a highly relevant retrospective.

SUMMER OF '69

Nantucket, not Woodstock, is the main attraction in Hilderbrand’s (Winter in Paradise, 2018, etc.) bittersweet nostalgia piece about the summer of 1969.

As is typical with Hilderbrand’s fiction, several members of a family have their says. Here, that family is the “stitched together” Foley-Levin clan, ruled over by the appropriately named matriarch, Exalta, aka Nonny, mother of Kate Levin. Exalta’s Nantucket house, All’s Fair, also appropriately named, is the main setting. Kate’s three older children, Blair, 24, Kirby, 20, and Tiger, 19, are products of her first marriage, to Wilder Foley, a war veteran, who shot himself. Second husband David Levin is the father of Jessie, who’s just turned 13. Tiger has been drafted and sends dispatches to Jessie from Vietnam. Kirby has been arrested twice while protesting the war in Boston. (Don’t tell Nonny!) Blair is married and pregnant; her MIT astrophysicist husband, Angus, is depressive, controlling, and deceitful—the unmelodramatic way Angus’ faults sneak up on both Blair and the reader is only one example of Hilderbrand’s firm grasp on real life. Many plot elements are specific to the year. Kirby is further rebelling by forgoing Nantucket for rival island Martha’s Vineyard—and a hotel job close to Chappaquiddick. Angus will be working at Mission Control for the Apollo 11 lunar landing. Kirby has difficult romantic encounters, first with her arresting officer, then with a black Harvard student whose mother has another reason, besides Kirby’s whiteness, to distrust her. Pick, grandson of Exalta’s caretaker, is planning to search for his hippie mother at Woodstock. Other complications seem very up-to-date: a country club tennis coach is a predator and pedophile. Anti-Semitism lurks beneath the club’s genteel veneer. Kate’s drinking has accelerated since Tiger’s deployment overseas. Exalta’s toughness is seemingly untempered by grandmotherly love. As always, Hilderbrand’s characters are utterly convincing and immediately draw us into their problems, from petty to grave. Sometimes, her densely packed tales seem to unravel toward the end. This is not one of those times.

To use the parlance of the period, a highly relevant retrospective.

Pub Date: June 18, 2019

ISBN: 978-0-316-42001-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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