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SIGNALS OF DISTRESS

Yet another rich, rewarding novel from Britain's acclaimed Crace (Arcadia, 1992, etc.), this set in an 1830s English coastal town where an early winter storm brings unexpected visitors and, for some, unsettling complications. The people of Wherrytown wake up to find a Yankee ship, the Belle of Wilmington, mastless and stuck in the sand outside their harbor. At the same time, the coastal steamer on its regular run has brought to town Aymer Smith, a London soap-maker whose liberal views and pedantic manner soon put off everyone he meets. He's come in person to inform area soda-ash suppliers, and his firm's agent, that their services are no longer needed; but when the American crewcomplete with the captain's injured black slavecome to the inn where Aymer's also lodging, he awakens to a new sense of purpose. He sets the African free, and, flushed with thoughts of the blushing bride whom the inn's overcrowding has forced to share his room (with her husband), thinks to end his long bachelorhood by marrying the teenaged daughter of one of his ash suppliers. Aymer's humane gestures are not welcome, however, as the slave's owner assaults him, and his intended quickly makes clear her preference for a Yankee sailor, planning to go off with him when the Belle is seaworthy. Floated off the sand and ready after a week's frantic repair, the ship sails with her rowdy crew, the sailor's girl, the newlyweds as emigrants to Canada, and even the ship's dog, which had adopted Aymer and become his only friend. A last visit for consolation to the girl's mother, now alone, results instead in the loss of his virginity, leaving him a changed man when he returns to the city. Human nature in all its tangled glory is quietly but powerfully evoked, along with a tangy, lasting impression of the intricate life of those who dwell between land and sea.

Pub Date: Sept. 1, 1995

ISBN: 0-374-26379-5

Page Count: 277

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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