Gray has been there, done that, and taken excellent notes.
A Hall of Fame broadcaster takes us behind the scenes of his biggest interviews and stories.
Gray, recognizable to even casual sports fans, has had a front row seat to some of the most indelible games, fights, and moments in sports history. Here, he pulls readers aside to explain how it all came together, from his days as a wide-eyed college kid in Denver assigned to interview Muhammad Ali to his friendships with the likes of LeBron James, Mike Tyson, Jack Nicholson, and countless others. In a sense, there are versions of the author. One is a hard-nosed journalist who famously put the screws to Pete Rose before a World Series game about Rose’s gambling on baseball (an interview that earned Gray death threats). The other Gray knows that the best way to cultivate sources in his line of work is to form real relationships. “Over the years,” he writes, “I found that relationships and loyalty matter as much as ability—in my business and in almost any endeavor worth doing.” Though the prose isn’t scintillating, Gray knows how to tell a story, and he’s wise enough to know that anyone who buys the book will be drawn to the cast of characters. The narrative abounds with fascinating tales: Gray watched boxing promoter Don King hand Tyson a $30 million check only to see the fighter rack up an $800,000 tab at Versace—a night before he stepped into the ring and bit off a chunk of Evander Holyfield’s ear. While wandering the Upper West Side in Manhattan, a limo pulled up, and Richard Nixon rolled down the window, invited Gray inside, and peppered him with sports talk for 45 minutes. Throughout, the author demonstrates his combination of knowledge, longevity, talent, and likability, with just a little pit bull thrown in for good measure. Tom Brady provides the foreword.
Gray has been there, done that, and taken excellent notes.Pub Date: Nov. 10, 2020
ISBN: 978-0-06-299206-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 23, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
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