Gray has been there, done that, and taken excellent notes.

TALKING TO GOATS

THE MOMENTS YOU REMEMBER AND THE STORIES YOU NEVER HEARD

A Hall of Fame broadcaster takes us behind the scenes of his biggest interviews and stories.

Gray, recognizable to even casual sports fans, has had a front row seat to some of the most indelible games, fights, and moments in sports history. Here, he pulls readers aside to explain how it all came together, from his days as a wide-eyed college kid in Denver assigned to interview Muhammad Ali to his friendships with the likes of LeBron James, Mike Tyson, Jack Nicholson, and countless others. In a sense, there are versions of the author. One is a hard-nosed journalist who famously put the screws to Pete Rose before a World Series game about Rose’s gambling on baseball (an interview that earned Gray death threats). The other Gray knows that the best way to cultivate sources in his line of work is to form real relationships. “Over the years,” he writes, “I found that relationships and loyalty matter as much as ability—in my business and in almost any endeavor worth doing.” Though the prose isn’t scintillating, Gray knows how to tell a story, and he’s wise enough to know that anyone who buys the book will be drawn to the cast of characters. The narrative abounds with fascinating tales: Gray watched boxing promoter Don King hand Tyson a $30 million check only to see the fighter rack up an $800,000 tab at Versace—a night before he stepped into the ring and bit off a chunk of Evander Holyfield’s ear. While wandering the Upper West Side in Manhattan, a limo pulled up, and Richard Nixon rolled down the window, invited Gray inside, and peppered him with sports talk for 45 minutes. Throughout, the author demonstrates his combination of knowledge, longevity, talent, and likability, with just a little pit bull thrown in for good measure. Tom Brady provides the foreword.

Gray has been there, done that, and taken excellent notes.

Pub Date: Nov. 10, 2020

ISBN: 978-0-06-299206-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 24, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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