Social media improves a dystopian future (ugh, right?) in this provocative, cyberpunk series.
Debut author Infantino launches his cli-fi series in a post-apocalyptic U.S.
Infantino sets his Wakeful Wanderer series on an Earth devastated by catastrophic climate change. Rising sea levels caused a “Great Tide,” a doomsday event that sent North America into anarchy. The poor and self-righteously angry hunted and killed the wealthy in a murder spree known as “The Vengeance.” Many of those same mobs (and some surviving dynasties) filled the power gap, ruling regions in a feudal style. An exception to the force and brutality is the “Interconnected,” high-tech humans with neural implants that link their minds at all times. Cooperative, altruistic, and empathetic, the Interconnected control sections of America’s Northeastern seaboard, especially from Boston to Tarrytown, although, thanks to their mass consciousness, they rarely need to travel. Uniting the post-apocalyptic communities, in the manner of the vagabond hero of David Brin’s The Postman (1985), is “Wakeful Wanderer” Marto Boxster. A travel blogger of sorts, Marto beams his prose directly to minds of followers as he explores neurolinked and technophobic settlements. An orphan Interconnected who considers his work a return to old-style journalism, he “writes” (and thinks directly to others, an art known as “thexting”) of his travels via motorized unicycle throughout the territories. Countless online/interactive followers learn one another’s cultures and histories through him. But the Interconnected have enemies in the form of lingering Vengeance gangs and jealous Luddite technophobes whose throwback conservative philosophies condemn these new post-humans as “xombie” abominations. Marto, while on the road, discovers discomfiting truths about himself and his origins during a conspiracy to attack the upgraded folk and return the U.S. (or what’s left of it) to “traditional” values of rule by money, violence, and slavery.
Infantino is an established musician, though only late in the narrative does he start dropping album names and song titles. Instead of this being a singer/songwriter’s dreaded side gig, the book is solid speculative fiction about transhumanist and climate issues, though by no means is it the first near-future novel to foresee a society dominated by social media (the term is never used, by the way). Via Marto and other characters, the author ruminates on the Interconnected’s progressive system of political and social economy based on “Merits” (think “likes” brought to its ultimate fulfillment) and paying it forward. The author’s evaluation of this seemingly idyllic, peaceable coexistence among those whose lives are improved by cybertechnology isn’t exactly a full endorsement of better living through science, although the bad guys enact their sinister scheme before the debates with Marto reach any sort of conclusion. Still, it’s fair to say that the Interconnected are a nicer bunch of New Englanders to inherit the Earth than their reactionary rivals. More volumes in the series have been completed, and one looks forward to more of this unsettlingly plausible world.
Social media improves a dystopian future (ugh, right?) in this provocative, cyberpunk series.Pub Date: March 27, 2021
ISBN: 978-1-64-456278-9
Page Count: 298
Publisher: Self
Review Posted Online: Aug. 11, 2021
Review Program: Kirkus Indie
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A thrilling and satisfying sequel to the 1969 classic.
Over 50 years after an extraterrestrial microbe wiped out a small Arizona town, something very strange has appeared in the Amazon jungle in Wilson’s follow-up to Crichton’s The Andromeda Strain.
The microparticle's introduction to Earth in 1967 was the disastrous result of an American weapons research program. Before it could be contained, Andromeda killed all but two people in tiny Piedmont, Arizona; during testing after the disaster, AS-1 evolved and escaped into the atmosphere. Project Eternal Vigilance was quickly set up to scan for any possible new outbreaks of Andromeda. Now, an anomaly with “signature peaks” closely resembling the original Andromeda Strain has been spotted in the heart of the Amazon, and a Wildfire Alert is issued. A diverse team is assembled: Nidhi Vedala, an MIT nanotechnology expert born in a Mumbai slum; Harold Odhiambo, a Kenyan xenogeologist; Peng Wu, a Chinese doctor and taikonaut; Sophie Kline, a paraplegic astronaut and nanorobotics expert based on the International Space Station; and, a last-minute addition, roboticist James Stone, son of Dr. Jeremy Stone from The Andromeda Strain. They must journey into the deepest part of the jungle to study and hopefully contain the dire threat that the anomaly seemingly poses to humanity. But the jungle has its own dangers, and it’s not long before distrust and suspicion grip the team. They’ll need to come together to take on what waits for them inside a mysterious structure that may not be of this world. Setting the story over the course of five days, Wilson (Robopocalypse, 2011, etc.) combines the best elements of hard SF novels and techno-thrillers, using recovered video, audio, and interview transcripts to shape the narrative, with his own robotics expertise adding flavor and heft. Despite a bit of acronym overload, this is an atmospheric and often terrifying roller-coaster ride with (literally) sky-high stakes that pays plenty of homage to The Andromeda Strain while also echoing the spirit and mood of Crichton’s other works, such as Jurassic Park and Congo. Add more than a few twists and exciting set pieces (especially in the finale) to the mix, and you’ve got a winner.
A thrilling and satisfying sequel to the 1969 classic.Pub Date: Nov. 12, 2019
ISBN: 978-0-06-247327-1
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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